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The Hill, The Light, The Ghost

Haiku Salut

The Hill, The Light, The Ghost

Fifth album from the Derbyshire electronica instrumental trio Gemma Barkerwood, Sophie Barkerwood and Louise Croft

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  1. 9.0 |   God Is In The TV

    Haiku Salut’s most complete statement to date, finding a special place in between the cracks of ambient, neo-classical, electronica, folk and post rock that consistently forges its own identity from the familiar
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  2. 8.0 |   Under The Radar

    Definitive in its execution and unrivaled by any of the group’s contemporaries, it’s a masterful exercise in experimentation and one that reveals something new with every subsequent listen
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  3. 8.0 |   Mojo

    Nine wordless, shape-shifting essays using keyboards, electronics, guitars and orchestral instruments. Print edition only

  4. 8.0 |   Uncut

    The Haikus rarely sound less than gorgeous. Print edition only

  5. 8.0 |   musicOMH

    If ever proof were needed that electronic music can have a beating, human heart, this is it. Even the birds sing their appreciation
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  6. 7.3 |   Beats Per Minute

    The Hill comes alive and is best enjoyed when under close inspection. With each subsequent release, the band have placed greater value in texture as a driving force for eliciting emotional reactions, and this album continues that trend
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