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Third album from Australian electronic musician Harley Edward Streten includes collaborations with Oklou, May-a, Kucka, Laurel, Virgen María, Emma Louise, Caroline Polachek and Damon Albarn

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  1. 8.0 |   DIY

    This techno-charged offering upscales the drops, fidgety distortion and replay value that has proved a constant in his playbook
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  2. 8.0 |   NME

    On this third album, the musician couples his floor-shaking, hit-making style with quieter moments of introspection, reaching new heights in the process
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  3. 7.0 |   Clash

    Intended to be enjoyed by both faithful Flume stans and new listeners drawn to the beauty of a cacophonous, glitched-out style popularised by super-producers like SOPHIE, Danny Harle, and more
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  4. 6.5 |   Pitchfork

    Although not without its inspired moments, Harley Streten’s third LP confirms that he’s most creatively free outside the album format
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  5. 6.0 |   The Line Of Best Fit

    Flume’s Palaces is as surprising as it is forgettable
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  6. 6.0 |   musicOMH

    The Australian producer’s latest gets stuck between innovation and the urge to party like it’s 2014
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  7. 4.0 |   Spectrum Culture

    Palaces is so obsessed with the serenity of open air that it forgets how much more exciting Flume is when he picks apart a single concept
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