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Album number seven from the Birmingham indie rock five-piece and first with producer Benjamin John Power as an official band member

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  1. 8.0 |   Clash

    ‘EBM’ is full of stadium-ready anthems and is a riveting, celebratory and bold musical odyssey that is both glorious and gritty in equal measure
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  2. 8.0 |   All Music

    These are tsunami-level productions marked by shimmering waves of synthy distortion, doomy bass grooves, and as always, singer Tom Smith's Teutonic baritone croon
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  3. 7.5 |   Under The Radar

    It’s strange that a band who were accused of looking to the past for inspiration and sniffily dismissed as “Boy Division” have remained so forward looking rather than stagnate in a miasma of nostalgia
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  4. 7.0 |   musicOMH

    Seventh album from Birmingham outfit sees them take a gigantic leap into the dark, dodging expectations with unrestrained vigour
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  5. 6.0 |   NME

    With new members and a renewed energy, the Birmingham band continue to push things forward
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  6. 6.0 |   Mojo

    Editors have hatched a perturbed and maximalist affair whose thundering algorithms target the darkest, least inhibited corners of the dancefloor. Print edition only

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