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8.0
134387
8.0 |
The Independent
Kim Petras plays with innuendo on her debut album, while Maisie Peters marches us into sad girl summer
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8.0
134388
8.0 |
NME
The long-awaited debut from the German star is as fun and daring as you'd hope it to be
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7.0
134389
7.0 |
The Line Of Best Fit
Kim Petras stakes her claim as the new princess of pop on uncompromising debut Feed The Beast
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6.0
134390
6.0 |
Slant Magazine
Despite being packed with hooks, the album too often falls back on conventional contemporary pop
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6.0
134391
6.0 |
Rolling Stone
Even the weaker songs have their dance-floor potential. Petras is, above all else, a pure fan of pop music and the feeling it exudes. But in chasing her new status as the type of pop star who has Top 40 potential, she abandoned the freakishly forward-thinking personality that built her a base to begin with
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5.4
134411
5.4 |
Northern Transmissions
Feed The Beast is a nervous debut, one whose disconnected styles showcase Petras in a state of confusion of where to go
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5.0
134413
5.0 |
Beats Per Minute
Kim Petras has been a cocoon of potential for a long time now, and with Feed The Beast she has neither progressed past that nor become a lost cause
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4.3
134392
4.3 |
Pitchfork
Across her latest album, the pop star’s high-octane, inoffensive dance-pop plays it way too safe and never really finds a point of view
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4.0
134393
4.0 |
The Guardian
Lurching between well-worn current chart trends and 90s European pop-dance with flimsy melodies and frightful lyrics, Petras and her songwriters all miss the mark
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4.0
134394
4.0 |
The FT
Electropop bangers are outnumbered by dance-pop dullards in the German singer’s major-label debut
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