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10.0
139788
10.0 |
musicOMH
Humour and rage collide in beautiful symphony in a take-no-prisoners debut from one of the UK’s most fun and fearless bands
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10.0
139797
10.0 |
NME
With their debut album, the Brighton duo highlight the rough realities of life and society while making room for the personal
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10.0
139806
10.0 |
Dork
Lambrini Girls are the heralds of a new age, and they’ve started with a debut album that’s practically perfect in every way. One thing’s for sure: punk’s definitely not dead
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9.0
139799
9.0 |
DIY
A debut which holds absolutely nothing back
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9.0
139792
9.0 |
Clash
As raw and energetic as ‘Who Let The Dogs Out’ is, it’s over after a breathless half-hour. There’s enough variety to keep attention firmly on this exciting duo, who might just be one of the best up-and-coming British bands
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8.0
139894
8.0 |
The FT
The Brighton twosome pack a lot of action into songs that take aim at the ills of the world
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8.0
139839
8.0 |
Rolling Stone
Explosive U.K. duo debuts with the excellent Who Let the Dogs Out
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8.0
139842
8.0 |
God Is In The TV
A serious punk album that does well to remain witty and smart even when faced with the world’s biggest issues. It should and hopefully will put the duo right at the forefront of modern punk trailblazers
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8.0
139843
8.0 |
The Arts Desk
It’s unlikely that you’ll be hearing any of these songs on daytime radio any time soon - for obvious reasons
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8.0
139846
8.0 |
Kerrang!
They’ve dropped an album of the year contender just 10 days into 2025. Big power move, that
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8.0
139789
8.0 |
The Skinny
Irate Brighton duo Lambrini Girls are fierce, funny and fully-formed on their crackling debut album, Who Let The Dogs Out
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8.0
139808
8.0 |
The Guardian
Championed by Iggy Pop and riot grrrl royalty, the Brighton duo pile on the jagged riffs, scabrous humour and swearing for their politically charged debut
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8.0
139811
8.0 |
Mojo
Nu-riot grrrls who may well be doing it better than anyone since Bikini Kill. Print edtion only
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8.0
139812
8.0 |
Uncut
"Bad Apples'" Sonic Youth guitars provide a punkish response to policing following Sarah Everard's murder, while "Company Culture" breathlessly addresses workplace harassment. Print edtion only
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8.0
139822
8.0 |
All Music
A standout among class-conscious contemporaries
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7.8
139790
7.8 |
Northern Transmissions
A thoughtful, angry and completely engaging debut album that manages to capture the atmosphere and energy of the duo’s live performances all while discussing heavy topics carefully and with emotion
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7.6
139878
7.6 |
Beats Per Minute
With this album, they’ve proven something big: dismantling oppressive structures doesn’t need to happen with a judgmental frown – you can do so with as much moxie as you so insist
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7.3
139860
7.3 |
Pitchfork
On an album of fast-and-loose party punk, the British duo rails against misogyny, homophobia, and all manner of institutional cruelties with righteous fury and rambunctious glee
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7.0
139868
7.0 |
Spectrum Culture
No amount of aggressive production or spirited shouting fixes the fact that Who Let the Dogs Out has little particularly novel or radical to say, and the project is at its best when there’s no pretense about this fact
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6.0
139916
6.0 |
No Ripcord
Of course, tracks like Big Dick Energy have their place, but their potency on record would be enhanced by a little more variety
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5.0
139869
5.0 |
Sputnik Music (staff)
An album that desperately wants to be a rallying cry but feels more like an echo chamber—conflating self-congratulation with rebellion, and believing that having the right opinion loud enough is a substitute for having something to say
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4.0
139823
4.0 |
Far Out
In short, you could create your very own Lambrini Girls song by reading out centre-left social media posts over a thumping bassline
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