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8.3
144976
8.3 |
Paste Magazine
Shane Lavers’ second album with the same title renders standard pop songwriting into arcane, intoxicating configurations
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8.2
145081
8.2 |
Beats Per Minute
NEW
The record sits with damage, allowing longing to stay, knowing that repetition is its own kind of pain. If the first album waited for arrival, this one lives in the after and still somehow, in all of its diffusiveness and imprecision, sounds beautiful
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8.1
144955
8.1 |
Pitchfork
The band’s second album by the same title is an unclassifiable mood piece: a strangely heightened world of desperate characters and hooks like enervated simulacra of more familiar songs
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8.0
144952
8.0 |
NME
The second Chanel Beads album might share its name with its predecessor, but here the New York artist is all about refinement rather than repetition
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8.0
144953
8.0 |
The Line Of Best Fit
Your Day Will Come is not the future of pop or rock, but nothing yet sounds this much like the present
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8.0
144954
8.0 |
Exclaim
In many ways, Your Day Will Come is the ideal follow-up for a break-out moment: a confident offering that provides more of the same, but better
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8.0
144987
8.0 |
Northern Transmissions
This is a record that asks for a slower kind of attention, one that finds difference inside repetition instead of beyond it. In a moment when listening is increasingly shaped by acceleration and novelty, Chanel Beads makes a persuasive case for lingering a little longer
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7.0
144951
7.0 |
Uncut
There are intimations of Basinski, The Cure, New Order and (yes) AC, but also of auteurs like Dean Blunt. Print edition only
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