The Terror of Cosmic Loneliness

Tony Da Gatorra vs Gruff Rhys

The Terror of Cosmic Loneliness

Latest project from the Super Furry Animals frontman sees him team up with cult Brazilian musician

ADM rating[?]

5.1

Label
Ovni/Turnstile
UK Release date
26/07/2010
  1. 6.0 |   The Independent

    It's rare these days to hear rock music of such unmediated spontaneity
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  2. 6.0 |   Independent on Sunday

    The Welshman's more mellow interventions act as cryptic commentary
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  3. 6.0 |   The Skinny

    Buzzsaw guitar, simplistic yet ominous rhythms, and the occasional ethereal howl are the order of the day
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  4. 6.0 |   Q

    Shared vocal, heavy guitar riffs and Bontemi organ drum tracks merge together to create a hypnotic funk. Print edition only

  5. 6.0 |   The Line Of Best Fit

    The kind of record you can tell Rhys has been dying to make for some time – his excitement at working with one of his idols is palpable throughout. The end product, however, isn’t necessarily as engaging as its creators hoped it would be
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  6. 5.6 |   Pitchfork

    he Terror of Cosmic Loneliness may attempt to forge a common ground between two trans-Atlantic artists, but even when working from the same instrumental base, the sensibilities at play here are still oddly segregated
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  7. 5.0 |   The Quietus

    It's the latest in a long line of collaborations for its creator, and another that doesn't really come off
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  8. 5.0 |   BBC

    Anyone expecting a lo-fi pop recording in the manner of SFA’s Mwng or Dark Days/Light Years is going to come away from The Terror of Cosmic Loneliness nursing a very sore head indeed
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  9. 5.0 |   Drowned In Sound

    While The Terror of Cosmic Loneliness is not a complete disaster, even the most loyal of fans will find it difficult to love
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  10. 5.0 |   PopMatters

    The album was recorded in one day in July 2007, with some extra mixing and overdubs done later, and this really shows as the album progresses
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  11. 4.0 |   Uncut

    Print edition only

  12. 3.0 |   Under The Radar

    If the laughing at the album's end is any indication, either this album was really fun to make, or we've been duped
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