25 January 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Fourth album of avant-garde indie pop from the Australian troupe
5.6
One of the most interesting and absorbing pop records of the decade thus far Read Review
Architecture in Helsinki remain a unique delicacy with a subtle piquancy that goes down a treat Read Review
The album’s let down factor lies in that it climaxes too early Read Review
They’re creating this bright cartoon world to block out the darker, sadder real one Read Review
Sounds listless compared to the excitement of the band's previous albums Read Review
There isn’t any real personality on show. It could be any musicians Read Review
Leaves you with the nagging feeling that this is Architecture In Helsinki with the edges taken off Read Review
Never afraid to cop a new style or try something that might not work, Architecture in Helsinki has thrown listeners for a loop yet again Read Review
The new record goes too far toward buffing out the quirks of its predecessor Read Review
A blend of unadulterated electro-pop, '80s air rock, New Age synths, and unapologetically romantic teen lyricism Read Review
A decent, but hardly essential record Read Review
Stranded between substandard teen pop and unsubversive '80s pastiches. Print edition only
Too many of their choruses aim high yet fall flat. Print edition only
Feels like some kind of sardonic spoof that the band fails to translate fully, or worse, that they aren’t aware of themselves Read Review
There isn’t enough variety here to keep the momentum going Read Review
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Architecture In Helsinki: Moment Bends
Mogwai The Bad Fire
‘The Bad Fire’ might not cure your January blues entirely but it’ll at least provide a glimmer of hope to get you through the bleakest of months. All in all, an utterly enthralling 11th studio effort from these avant rock stalwart Clash
Rose Gray Louder, Please
The up-and-coming British artist shines on her vibrant, hedonistic debut album musicOMH
FKA Twigs Eusexua
Twigs’ third album brings club music into her sensual, supernatural world. It’s a masterful pop-star moment for the artist Pitchfork
On their 11th album, the long-running post-rockers open up disarming, uplifting new dimensions to their sound without veering too far from familiar paths Pitchfork
Saint Etienne The Night
Saint Etienne’s The Night has quite a bit going for it, but it sounds uncharacteristically forced, ultimately collapsing under the weight of its pretension PopMatters
There’s some sense of reconciliation going on between their earthier 90s sound and the synthy, spacey and sometimes poppier material that’s inhabited their last few records The Quietus
The Weather Station Humanhood
Whatever the influences at play, Humanhood works gloriously as a song cycle The Quietus
EUSEXUA is FKA twigs bizarre world-building masterclass The Line Of Best Fit
jasmine.4.t You Are The Morning
Even though the songs are painfully personal, they offer a wider hope. The world feels dark right now, but albums like this give promise that the dawn is coming The Line Of Best Fit
The experimental U.K. dance-pop artist wanted to “transcend human form” with her new album. She nails it Rolling Stone
This record boasts real emotional nuance among the unbridled passion. And to retain the power to surprise and delight when entering its fourth decade is something few bands can claim Under The Radar
Anna B Savage You And I Are Earth
Over gorgeous musical arrangements that feature contemporary Irish musicians and gentle guitar work reminiscent of Nick Drake, Savage creates an intimate, enchanted world, where footsteps are muffled by moss and magic — even the mundane sort — waits behind every tree Under The Radar
Eusexua doesn't just embrace the thrust of commercial dance, it subsumes it into the chromatic, honed prism of FKA twigs' artistry The Skinny
This is an album that seeks an otherworldly state of purity and perfection The Arts Desk
Mogwai may not be writing Happy Songs for Happy People, but in so thoroughly assimilating so many musical approaches, they’ve found a way to make massive, deranged lullabies that urge you to stay awake, ready to handle whatever life throws at you Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together