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8.0
130436
8.0 |
Record Collector
Darker twists on modern anxieties shape Herd Culling, which evokes Wilson’s fascination with film in its ominous horror-movie lyrics
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8.0
130455
8.0 |
The Arts Desk
Steven Wilson’s clear, melancholy vocals sometimes ignore the melodies as his dystopian ruminations pour out
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8.0
130497
8.0 |
Spectrum Culture
After a 13-year wait, this is not a product made for old time’s sake – it is a vital, breathing work, exploring the gaps between extremes posed by the band and the prog world at large
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7.0
130485
7.0 |
All Music
A welcome new entry in PT's catalog, it reveals in fits and starts that the band have plenty left to say - just what that is remains elusive and unclear on this wide-ranging return
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7.0
130444
7.0 |
XS Noize
Whilst Closure/Continuation doesn't enable Porcupine Tree to move forwards, it doesn't hinder them either
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7.0
130437
7.0 |
Uncut
There’s plenty for prog loyalists to appreciate in the knotty polyrhythms, hopscotching bass and divebombing guitar excursions of tracks such as “Harridan” and “Chimera’s Wreck”. Print edition only
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6.9
130494
6.9 |
Pitchfork
On its first album in over a decade, the UK prog band embraces a newly collaborative process, setting an atmosphere of creeping tension and volatility
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6.0
130435
6.0 |
The Guardian
After a 12-year hiatus, the trio return with an inquisitive, unpredictable set that finds their experimental side intact
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6.0
130438
6.0 |
Slant Magazine
Porcupine Tree’s 11th studio album implies a summary of a body of work running back 35 years
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6.0
130439
6.0 |
PopMatters
Closure/Continuation captures and rejuvenates the cerebral and melancholic mood that’s Porcupine Tree’s signature, but uncertainty hangs over the proceedings
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