Albums to watch

The Night the Zombies Came

Pixies

The Night the Zombies Came

Ninth album from the the Boston alt.rock legends and fifth since they reformed and first with Band of Skulls' Emma Richardson as bassist

ADM rating[?]

6.8

Label
BMG Rights Management
UK Release date
25/10/2024
US Release date
25/10/2024
  1. 9.0 |   DIY

    It’s when the pattern deviates somewhat from the expected that it’s most exciting
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  2. 8.0 |   Mojo

    This most thrillingly deathly of bands remains alive. Print edition only

  3. 8.0 |   Slant Magazine

    The band has reconciled their past and are determined to forge a new direction
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  4. 8.0 |   Far Out

    Tracklisting is often an overlooked aspect of record assembly, but everything here feels meticulously placed, presenting an album that was no doubt curated with the utmost attention to detail
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  5. 8.0 |   Clash

    ‘The Night the Zombies Came’ isn’t an album for the uninspired or your average Joe – it’s a bible for the daydreaming visionary who finds beauty in the mundane
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  6. 7.5 |   Spectrum Culture

    Pixies’ 10th album, The Night the Zombies Came, is a good album that fans of latter-day Pixies will have no trouble embracing and even skeptical older fans should grudgingly admire
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  7. 7.0 |   All Music

    The band's first album with bassist Emma Richardson upholds their brash, eccentric, oddly moving legacy with some flashes of brilliance
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  8. 7.0 |   PopMatters

    Pixies’ latest LP, featuring new bass player Emma Richardson, is another solid but not earth-shattering effort. It’s clever, if not cute, with a charming theme
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  9. 7.0 |   musicOMH

    An album that’s light, supple and tender, full of balladry and spacey arrangements that seek to soothe and soften your mood rather than make you want to breathe fire
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  10. 6.0 |   Uncut

    It is difficult to argue, however, that the second batch of Pixies records have been as thick on quality. It’s a trend that The Night The Zombies Came does little to buck – though the spectacular surf-psychedelia of “Motoroller” could have made Bossanova, and the glorious thrash of “Oyster Beds” snuck onto Trompe Le Monde. Print edition only

  11. 6.0 |   Record Collector

    It's the details, such as Joey Santiago's feisty guitar licks and Francis's unpredictable lyricism that steer the gentler material from the middle of the road. Print edition only

  12. 6.0 |   The Arts Desk

    The album has a purposeful eeriness that makes it interesting
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  13. 5.0 |   The Line Of Best Fit

    Like a modern remake of an old video game, Pixies’ music displays their role in shaping their industry, but the progress has already been made
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  14. 4.0 |   The Observer

    The Boston band’s slide towards mediocrity continues, with the high point a song about a headless chicken
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