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9.0
140599
9.0 |
PopMatters
Sounds like a sonic masterpiece for modern times, with SASAMI’s ability to dazzle in varying formats while singing her heart out
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8.0
140479
8.0 |
DIY
This latest metamorphosis feels invigorating for both the genre, and the singer herself
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8.0
140484
8.0 |
Dork
Strikes the perfect balance between getting over the heartbreak that occurs when a relationship ends and being able to celebrate the power that experiencing love and romance gives us as individuals
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7.7
140486
7.7 |
Northern Transmissions
If Blood is her pop debut, her next could be an anthem factory
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7.5
140515
7.5 |
Under The Radar
These 13 songs deal with the quintessential themes explored in pop—self-destruction, emotional insecurity, and hopeless romanticism, all under the great big banner of love
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7.0
140485
7.0 |
Clash
There’s still something to love in every track; this is certainly a lyric-forward record for the musers. ‘Blood On the Silver Screen’ must be listened to as it was conceived: with deep thought, consideration, and empowerment
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7.0
140480
7.0 |
The Line Of Best Fit
This record certainly scales the emotional spectrum, for better or for worse: it’s an epic, dramatised outpour. Not exactly what we’ve come to expect from Sasami, though she wears a convincing costume
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7.0
140587
7.0 |
Paste Magazine
This is her most accessible work yet, with shimmering moments of catharsis sprinkled throughout familiar-sounding (and sometimes forgettable) melodies
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6.8
140560
6.8 |
Pitchfork
On her third album, the Los Angeles songwriter pivots to pop. When she leans into outsized production and campy hooks, she soars—but more often, her anemic songwriting falters
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6.0
140481
6.0 |
All Music
It's a record that fans of her first two albums might find a little hard to swallow unless they are willing to follow her down the pop path
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6.0
140482
6.0 |
The Observer
The US artist segues from industrial metal to radio-friendly pop most memorable for its vividly relatable lyrics
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6.0
140483
6.0 |
The Skinny
SASAMI's latest album Blood On the Silver Screen is steeped in nostalgia, but sadly lacking the raw edge of intuition that came across in her earlier work
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