27 January 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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More instrumental post-rock, techno / electronica samples and beats from the Sheffield quartet on their 4th album
8.0
The incredibly detailed, layered and proficient way in which they combine so many different elements to allow a track to develop is intriguing, and gives an enjoyable sense that the unexpected is just around the corner Read Review
65daysofstatic have grasped hitherto unimagined opportunities, capitalised on experiences and brought an eclectic yet huge arsenal with which to entice newcomers and open-minded veteran travellers with Read Review
It’s an album that flows superbly and, although there is nothing to match the emotional monster ‘Primer’, from their last album, there isn’t one track that you’d replace here for any other Read Review
Contains more good ideas than many bands fit into a whole caree Read Review
Despite the many different types of departure 65daysofstatic takes, they do it all with flair and consistency. Hopefully, the band will grow from here, and make their new sound's equivalent of The Fall of Math Read Review
The band delight in the same complicated, frantic musicianship as Battles Read Review
Noisy or electronic, We Were Exploding Anyway has rekindled the old flame with its unabashed power and inexorable sonic passion Read Review
65 haven’t so much created a new sound as successfully renovated their old one; added some extensions and given the whole thing a fetching new paintjob Read Review
65daysofstatic have had their years in the wilderness; now they're sick of it and have decided to fully let loose, bludgeoning us into submission along the way Read Review
They may have lost a few die-hard post-rock fans but that is a small price to pay as We Were Exploding Anyway will surely bring them an army of new listeners who don’t care about labels but just want to hear great music Read Review
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65daysofstatic: We Were Exploding Anyway
Mogwai The Bad Fire
‘The Bad Fire’ might not cure your January blues entirely but it’ll at least provide a glimmer of hope to get you through the bleakest of months. All in all, an utterly enthralling 11th studio effort from these avant rock stalwart Clash
Rose Gray Louder, Please
The up-and-coming British artist shines on her vibrant, hedonistic debut album musicOMH
FKA Twigs Eusexua
Twigs’ third album brings club music into her sensual, supernatural world. It’s a masterful pop-star moment for the artist Pitchfork
On their 11th album, the long-running post-rockers open up disarming, uplifting new dimensions to their sound without veering too far from familiar paths Pitchfork
Saint Etienne The Night
Saint Etienne’s The Night has quite a bit going for it, but it sounds uncharacteristically forced, ultimately collapsing under the weight of its pretension PopMatters
There’s some sense of reconciliation going on between their earthier 90s sound and the synthy, spacey and sometimes poppier material that’s inhabited their last few records The Quietus
The Weather Station Humanhood
Whatever the influences at play, Humanhood works gloriously as a song cycle The Quietus
EUSEXUA is FKA twigs bizarre world-building masterclass The Line Of Best Fit
jasmine.4.t You Are The Morning
Even though the songs are painfully personal, they offer a wider hope. The world feels dark right now, but albums like this give promise that the dawn is coming The Line Of Best Fit
The experimental U.K. dance-pop artist wanted to “transcend human form” with her new album. She nails it Rolling Stone
This record boasts real emotional nuance among the unbridled passion. And to retain the power to surprise and delight when entering its fourth decade is something few bands can claim Under The Radar
Anna B Savage You And I Are Earth
Over gorgeous musical arrangements that feature contemporary Irish musicians and gentle guitar work reminiscent of Nick Drake, Savage creates an intimate, enchanted world, where footsteps are muffled by moss and magic — even the mundane sort — waits behind every tree Under The Radar
Eusexua doesn't just embrace the thrust of commercial dance, it subsumes it into the chromatic, honed prism of FKA twigs' artistry The Skinny
This is an album that seeks an otherworldly state of purity and perfection The Arts Desk
Mogwai may not be writing Happy Songs for Happy People, but in so thoroughly assimilating so many musical approaches, they’ve found a way to make massive, deranged lullabies that urge you to stay awake, ready to handle whatever life throws at you Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together