1 March 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second album of alternative dance/synth pop from Melbourne, Australia trio
6.8
There is a frisson of surly attitude throughout, and several thrilling moments, such as the punch of the keyboard and drums when This New Technology hones into view, or the gutsy riff of Lara Versus The Savage Pack, comfortably out muscling the likes of Kasabian Read Review
The sound of a band defying expectations and testing their limits, while continuing to evade fitting into any single musical category Read Review
It blows Dystopia out of the water in terms of scope, ambitious sonic terrain and what really feels like importance, which is no easy feat Read Review
Part of what makes the Juggernauts so much fun is their absolute commitment to the hugeness and silliness of their tunes Read Review
This is a pop album at heart and on those terms it excels Read Review
When they keep it simple you realise that this is hugely enjoyable fare so long as you just turn it up and don’t take it too seriously for after all this is music for the body, not the mind Read Review
A floaty space opera, packed full of mind-bending diversions and spangled sights Read Review
Tonally this is an expertly crafted collection, consistency paramount, but catchy motifs are conspicuous by their absence Read Review
What they lack in subtlety, they more than make up for with an ear for a pop hook Read Review
Print edition only
Roll over video for more options
Midnight Juggernauts: The Crystal Axis
Bdrmm Microtonic
The quartet’s increasingly electronica-based textures convey a sense of tension and unease on their third album The Guardian
Ichiko Aoba Luminescent Creatures
The cult Japanese singer-songwriter’s new album, inspired by the Ryukyu islands, is like a powerfully soothing sound bath The Guardian
Darkside Nothing
Guided by the idea of wiping the slate clean, Nicolás Jaar and Dave Harrington’s third album is a raw, surprisingly funky, desperately hopeful response to the chaos of the 2020s Pitchfork
The New York trio have made an album almost bursting with ideas, one that, given the time, you’ll want to live with for months to come musicOMH
The musical quality and innovative ideas at the heart of these works are undeniable, and Darkside have clearly poured a lot of inspiration into the album. Ultimately, though, its lack of cohesion makes for a sluggish listening experience Far Out
Nothing is a refreshing exercise in disorientation, rewarding those willing to let go and get lost in its unpredictable soundscape Northern Transmissions
There's a formlessness to the greater endeavour that ensures it's somehow less than its constituent parts. Still, the likes of subterranean Latin shuffle American Reference possess an invention and mystery that makes this an endlessly fascinating place to get lost. Print edition only Mojo
Darkside opens up on Nothing with a playfully weird set of baroque pop that takes in bluesy '70s skanking and cavernous grooves. Print edition only Uncut
On the third record, DARKSIDE are happy to remain unfixed, bumping between fun and familiar grooves with an element of chaos The Skinny
The songs on Microtonic simply aren't as memorable as the highlights of their debut. It sounds impressive, but it exists in a sort of netherworld between expansive sonic exploration and fully engaging songwriting All Music
A deep love for dance music and invigorating writing infuses the band’s third record with an incredible vitality NME
‘Microtonic’s’ Balearic/rave undercurrents suggest bdrmm would be happy to be faceless, akin to a DJ The Arts Desk
It's a beautiful soundscape to get thoroughly lost in. Print edition only Mojo
There's a powerful, invigorating beauty about their best work yet. Print edition only Record Collector
Boldest of all is the grimy techno pulse and bass thrum of "Lake Disappointment", which pulls off a stylistic switch while maintaining the winningly smoky atmosphere of the album as a whole. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
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Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together