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8.0
18290
8.0 |
Q
Rushes of blood to the head aside, Progress is a triumph; musically, conceptually, personally. Print edition only
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8.0
18604
8.0 |
BBC
Progress sounds more like a fresh start than a final destination
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8.0
18687
8.0 |
The Guardian
Progress takes their sound closer to that of the Killers, Scissor Sisters and even Supermassive Black Hole-era Muse
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8.0
18703
8.0 |
Evening Standard
They've never been more fascinating or, whisper it soft, more relevant
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8.0
18710
8.0 |
The Independent
Those who imagined Take That's reunion album would be a predictable blending of forces will be shocked to hear Progress
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8.0
19053
8.0 |
State
Take That have just rewritten their own rulebook in spectacular fashion
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8.0
19055
8.0 |
The Digital Fix
They may not be back, in this particular formation, for good but as far as temporary thrills go, Take That are absolutely credible and impossible to ignore
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7.5
18738
7.5 |
The Observer
Olique, eccentric, even bold
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7.0
19246
7.0 |
NME
A deranged, triumphant and quite crudely banging stadium synth-pop record
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7.0
19015
7.0 |
Slant Magazine
By far the smartest record that Barlow and company have put their name to
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6.5
18744
6.5 |
Independent on Sunday
The real star here is producer Stuart (Madonna's Music)Price, who manages to turn the band into a different act for every song
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6.0
18745
6.0 |
Daily Telegraph
They should be applauded for daring to deliver a laugh out loud, big, brash, electro stadium epic
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6.0
18803
6.0 |
Scotland on Sunday
A solid album that will comfort their millions of fans as they journey into middle age
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6.0
18805
6.0 |
The Scotsman
What's most impressive is the bond [Stuart] Price has created between what once made this group so successful and what's gone on in music since they've been away
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6.0
18956
6.0 |
The Irish Times
The Beatles balladry has given way to stomping electro-pop more suited to Muse or Ultravox
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