23 May 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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The Rhode Island quartet reference their hometown in the title of this, their third alt.country release
6.5
A celebration of music by a band who likes nothing more than to have a good time—and what is more respectable than that? Read Review
Served with such a knowing grin you can't help but love it. Print edition only
Deer Tick’s members act like kids, but Divine Providence is best when they sound like full-grown men Read Review
The group's best album to date Read Review
A set of howling rockers Read Review
Divine Providence is the Deer Tick we’ve always known was behind the chugging, 90 proof country rock Read Review
Setters of trends, they will not be, with this offering. Providers of mindless, chaotic R&R, they most certainly can be Read Review
Overall, their aim to harness their live show appears to be a success, especially on the more rabble-rousing and downright fun bar-side calls to arms that pepper the album Read Review
At their best, Deer Tick deliver a timely reminder that fun doesn’t necessarily have to translate into a shortage of substance Read Review
They may have taken the easy way by leaving depth and emotional subtlety aside, but the brainless night bar rock n’ roll they’re playing on Divine Providence is not something to be ashamed of Read Review
The problem with Divine Providence isn’t that it is bad, because it really isn’t, in fact, I would go as far to say that it is a good album. The problem is that listening to it is like watching the high school dance scene out of Back To The Future Read Review
Divine Providence isn’t about God being amongst us; it’s about being proud of where you came from. So grab a beer or a bottle of Jack (or both) and let Deer Tick entertain you for an hour Read Review
Divine Providence apparently isn't a realm for the faint of heart, but those with the verve to vent their all may find it a welcome retreat Read Review
Self-absorbed and even downright hateful Read Review
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Deer Tick: Divine Providence
Ed O’Brien Blue Morpho
‘Blue Morpho’ offers a reminder that, as he and his other bandmates have repeatedly proved, O’Brien boasts a wholly-uninhibited approach to how rock and pop music is arranged, resulting in works that move and grow like the building blocks of life itself Clash
Kevin Morby Little Wide Open
Represents a musical homecoming for Morby to the Americana that is central to much of his work No Ripcord
Lykke Li The Afterparty
On a purportedly final album, the Swedish electro-pop singer’s disenchantment takes shape around sparkling synth and light-touch disco beats Pitchfork
Paul McCartney The Boys of Dungeon Lane
A richly nostalgic trip that proves this legend is still as creative as ever Rolling Stone
Tori Amos In Times Of Dragons
Her vocals have rarely sounded better. A husky tone has slowly emerged, giving her a Patti Smith croon to her words of scorn. Anyone who has followed Amos’ career to date will relish this addition to her cannon. It might, hopefully, attract new fans too Under The Radar
Full of wonder, full of creativity, and possibility, fully realized and here for our delight. Like the album as a whole this is a truly excellent piece. It features lyrics full of thankfulness as we “feel the grace in all of life, thank you for this time.” What a great note to end a special album on Under The Radar
The Coral 388
By the time the rocksteady sway of “Spirit Catcher” and the effortless pop beauty of “Crossing The Sands” close the album, The Coral seem firmly back in the swing of creating music again. Hiatus done and dusted XS Noize
Every choppy guitar line and snaking Hammond or Farfisa lick form hooks in their own right The Arts Desk
By reconnecting with their past, The Coral have found the essence of who they are now - and it's pretty magical Mojo
It's an utter delight, an album that touches on all those influences [rocksteady, doo wop, soul, ska and 2-Tone] but still sounds like nothing but The Coral. Print edition only Record Collector
It’s a lucky number thirteen for fans – The Coral remain a band to cherish Clash
Despite an unorthodox release pattern that harks back to an era before streaming, the Wirral outfit's 13th album is one of their most accessibl musicOMH
Broken Social Scene Remember The Humans
While Remember the Humans aims to recapture something of vintage Broken Social Scene, the key aspects of their old sound simply can’t be reproduced by this version of the band Spectrum Culture
The singer/songwriter makes a valiant pivot into rock, though he lacks the backbone, grit and conviction to make it work Spectrum Culture
The guitarist’s second solo outing – but first under his actual name – offers mindfulness via a widescreen prog-folk trip NME
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways