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10.0
76640
10.0 |
Art Rocker
A love of simple but encompassing old-style manifestos sweeps Hinterland together and gives it conceptual cutting edge to back up the music
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9.5
74347
9.5 |
The Quietus
Hinterland is playful – a vibrant and urgent combination of genealogy and vision – and it is this that truly makes it a masterpiece
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9.0
74552
9.0 |
musicOMH
One of the year’s most satisfyingly accomplished long players
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9.0
74268
9.0 |
Loud And Quiet
Campbell’s progression is slight, but nuanced all the same: with ‘Hinterland’, Lonelady remains music for abandoned car parks – but this time, you sense people might just be dancing in them, together
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9.0
74482
9.0 |
God Is In The TV
With ‘Hinterland’ Campbell has not just crafted one of the best albums of the year so far, but created one of the most powerful artistic statements of 2015
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8.5
74349
8.5 |
The Line Of Best Fit
She’s gone and made the finest pop record of 2015 so far
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8.0
74391
8.0 |
Q
Picked over the bone of the past and rearranged them into something utterly brilliant. Print edition only
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8.0
74392
8.0 |
Uncut
Heavenly post-punk grooves. Print edition only
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8.0
74399
8.0 |
Mojo
A fresh sounding album that never lets up its twisted tension. Print edition only
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8.0
74264
8.0 |
The Guardian
It proves Campbell is that rare artist: one not just with a singular vision, but also the technical ability to realise it
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8.0
74265
8.0 |
NME
Campbell's voice and the persistent whirling synths infuse the desolation with compelling energy
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8.0
74266
8.0 |
The Music
I will eat my underpants if this doesn't see Campbell written into David Byrne's will
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8.0
74507
8.0 |
The FT
This one has a funkier feel to it, a lighter and more cosmopolitan touch
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8.0
74269
8.0 |
The Skinny
The points of reference on Hinterland may be remnants now, but Campbell’s still singing of them, reviving them in her own way
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7.0
74267
7.0 |
The 405
In contrast to her debut, and to its namesake, Hinterland feels joyous
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6.5
75630
6.5 |
Beardfood
It's such a dated sound its replay value is almost zero. Nice romp though
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