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8.0
132129
8.0 |
Mojo
It retains the singer's inherent quirks while offering a more accessible sound. Print edition only
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8.0
132130
8.0 |
The Line Of Best Fit
And I Have Been might not arrive at his top shelf, but it is an integral art that sheds light on his once darkened and uncharted territories
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8.0
132131
8.0 |
The Guardian
This graceful, self-produced third outing by the singer-actor layers electronic and orchestral elements over a startling voice
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8.0
132134
8.0 |
Loud And Quiet
At every corner there is invention
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8.0
132136
8.0 |
The Observer
This graceful, self-produced third outing by the singer-actor layers electronic and orchestral elements over a startling voice
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7.5
132338
7.5 |
Pitchfork
On his third album—the first part of a projected trilogy—the singer-songwriter retains all his theatrical intensity while shifting his focus to songs about love, a subject he once spurned
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6.5
132132
6.5 |
Under The Radar
He wants to pursue other artistic endeavors: acting (Clemetine had a minor role in 2021’s Dune), fashion design, and poetry. If this is one half of a swan song, it certainly feels like a triumphant one.
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4.0
132356
4.0 |
Spectrum Culture
The bones of Clementine’s usual great baroque pop are here, but they lack the meat
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4.0
132135
4.0 |
The FT
The singer-songwriter’s third release finds him less expressive and the music less extravagant than on its predecessors
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