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9.0
138072
9.0 |
All Music
Far from limited and much more than a gimmick, O.'s approach on WeirdOs is undeniably strange - and a lot of invigorating fun for anyone who loves music that's as unpretentious as it is inventive
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8.0
138073
8.0 |
NME
The south London duo combine ferocious drumming with merciless saxophone on their debut album
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8.0
138074
8.0 |
DIY
An album that cements the pair as one of the UK’s most intriguing newcomers
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8.0
138075
8.0 |
Clash
They ripple with power and catchy melodies, and its these melodies that are the real joy
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8.0
138076
8.0 |
Mojo
An urgent debut perfect for anyone grieving The Comet Is Coming's demise. Print edition only
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8.0
138079
8.0 |
Loud And Quiet
In a world where it sometimes feels like you’re being bombarded by emotionally heavy, lyrically meaningful tracks demanding your full attention, it’s refreshing to come across an album that asks nothing more of you than to go with it. Maybe, we need more bands like O., willing to set aside being cool, say fuck it, and just play a saxophone for all it’s worth
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8.0
138080
8.0 |
Far Out
The production on this record is near flawless and, although many of the songs follow similar themes and moods, WeirdOs rarely feels repetitive or stale
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7.3
138078
7.3 |
Pitchfork
The saxophone-and-drum duo’s muscular, distorted, freeform tracks connect the London post-punk and jazz scenes like an arcane new subplot
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7.0
138420
7.0 |
Spectrum Culture
WeirdOs is an eclectic and energetic, if sometimes uneven, offering driven in all sorts of directions by vibrant blasts of avant-minded noise
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7.0
138077
7.0 |
Uncut
Even if restless shape-shifting sometimes blunts strong melodic ideas, standout tracks like the epic freakout "Cosmo" and the goth-dub inner-space odyssey "Whammy" showcase a small band with big ambitions. Print edition only
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