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8.0
138620
8.0 |
The Independent
Malone’s sixth album features a rhinestone constellation of collaborations with some of country’s biggest names
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7.0
138621
7.0 |
Clash
‘F-1 Trillion’ sits in a tradition of crossover moments – from Gram Parsons to Lil Nas X, some of the most effective moments in American music have been country adjacent, speaking its own truth within a lineage. Destined for colossal success, this is an album whose time has come
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7.0
138622
7.0 |
Rolling Stone
While the case can be made that F-1 Trillion is just Malone wanting to have twangy fun and sing the kind of country music that fits in today, it’d have benefitted from more dusty detours and less paved roads, more gravitas and less flash, and certainly more Malone and less guests
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7.0
138623
7.0 |
Pitchfork
Post Malone’s first bona fide country album captures the sound of mainstream Nashville, made with a little help from Dolly Parton, Tim McGraw, Luke Combs, and many more
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6.0
138624
6.0 |
The Observer
The latest US artist to jump on the country bandwagon duets with Dolly Parton and more on his surprisingly enjoyable sixth album
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6.0
138625
6.0 |
The Guardian
Texan ditches hip-hop for this somewhat bloated 18-track epic bolstered by big-name guests. His versatile voice can handle the genre move, but it’s all a little formulaic
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5.6
138644
5.6 |
Spectrum Culture
Whereas Beyoncé’s Cowboy Carter attempted to deconstruct the country genre’s troubled history, Post is now just reveling in it: no analysis, no progression, just trucks, booze and guns
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