11 September 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Ninth album of electro-tinged pop from the son of Ian Dury produced by Paul Epworth (Mumford & Sons, Glass Animals, Royal Blood)
8.2
NEW It’s not often you’ll hear of an artist making the best work of their career by their eighth album. However, with Baxter Dury's latest effort Allbarone, this couldn’t be truer Read Review
NEW Things are really supercharged here by Epworth's electronic touch. It's a highly potent and undeniably successful combination. Print edition only
NEW Same old boots, maybe, but significantly racier kecks. Print edition only
NEW His most compelling album in almost a decade. Print edition only
NEW It's a potent start, but Allbarone gets better, deeper, more engaging and – crucially – stranger with each track, with Dury’s half-muttered speak-song voice mutating into more and more enticingly contorted shapes with each successive track Read Review
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Spiritbox Tsunami Sea
Building on a foundation of complex riffage, djent-fueled, whiplash-inducing breakdowns, and powerful lyrics rooted in personal struggle and societal discord, the assured 11-song set includes the streaming hits "Soft Spine" and "Perfect Soul" All Music
Within its destructive, voltaic, spectrum, and multi-range vocals, Tsunami Sea is more than just a swell of “unvarying” ornery sounds. It’s a potent piece of songwriting, its assertive nature engulfing one’s heartstrings until one has no choice but to feel the irritation, passion, and emotional purging that surrounds this record Spill Magazine
Baxter Dury Allbarone
It's a potent start, but Allbarone gets better, deeper, more engaging and – crucially – stranger with each track, with Dury’s half-muttered speak-song voice mutating into more and more enticingly contorted shapes with each successive track The Line Of Best Fit
His most compelling album in almost a decade. Print edition only Record Collector
Same old boots, maybe, but significantly racier kecks. Print edition only Mojo
Things are really supercharged here by Epworth's electronic touch. It's a highly potent and undeniably successful combination. Print edition only Uncut
It’s not often you’ll hear of an artist making the best work of their career by their eighth album. However, with Baxter Dury's latest effort Allbarone, this couldn’t be truer The Skinny
Big Thief Double Infinity
It’s quite possible this album will be trashed by critics as the least of their oeuvre, but then every person who proudly proclaims this to be their favourite of Big Thief’s discography will have some very interesting stories to tell Beats Per Minute
Suede Antidepressants
Easily gliding into the tier of Suede’s best albums, Antidepressants is a collection of exciting, moving and sometimes anthemic post-punk flavored songs about loneliness and communication, age and vulnerability, featuring some of Brett Anderson’s best ever vocal performances Spectrum Culture
Saint Etienne International
With International, these pop academics have left us with one final lesson: if you must fade away, do so gracefully. Saint Etienne most certainly have PopMatters
Jehnny Beth You Heartbreaker, You
Awash in menacing, libidinous energy, the Savages singer’s new solo album asks: What if the psychosexual angst of post-punk and industrial music were harnessed for pleasure? Pitchfork
Justin Bieber SWAG II
Part two of Bieber’s seventh album adds very little: it’s largely bland pop with glimpses of quality thanks to a buzzy supporting cast including Dijon and Bakar The Guardian
Bieber follows the surprisingly good Swag with the depressingly safe Swag II Rolling Stone
Bieber drops off another 23 tracks’ worth of SWAG, his Dijon- and Mk.gee-assisted foray into alt-R&B. Bland and underwritten, the sequel magnifies the weaknesses of the original Pitchfork
Consumed as a whole, the 23-track ‘SWAG II’ is a means to monopolise the streaming charts for the remainder of this year and beyond. What should have been a passion project distilled and edited into a leaner whole, now feels like a ploy to be omnipresent Clash
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange