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10.0
142594
10.0 |
NME
There’s a lot going on across the five-piece’s erratic but original third album, yet it never feels like they’re losing control of the chaos
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10.0
142601
10.0 |
Paste Magazine
The NYC band’s apocalyptic third album is a deeply exciting, provoking, and necessary gulf of no-fuss rock music
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10.0
142599
10.0 |
musicOMH
The Brooklyn quartet’s third album brings a sense of unerring chaos to a work that is exciting, creative and wondrously strange
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10.0
142674
10.0 |
Consequence Of Sound
There’s a lot for fans to obsess over when it comes to Getting Killed. The tracks are stuffed with interesting production and orchestration, as well as sticky stanzas Winter-heads will undoubtedly be referencing throughout the rest of the year
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10.0
142689
10.0 |
Sputnik Music (staff)
Getting Killed blazes a new kind of trail for a new kind of time. As Cameron Winter sings on the final verse of the towering closer: “I have no idea where I'm going. Here I come”
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9.6
142602
9.6 |
Northern Transmissions
Getting Killed is an instant classic that only a band as nuts as Geese could compose
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9.0
142611
9.0 |
Far Out
Coherent chaos is the sound of modern hope
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9.0
142626
9.0 |
The Line Of Best Fit
If Geese are a real band, then Getting Killed is a real album. One that cements them as no longer excellent imitators of the bands they once tipped their hats to, but worthy equals
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9.0
142627
9.0 |
Pitchfork
The recent metamorphosis of the New York band, led by singer-songwriter Cameron Winter, has produced one of the best, strangest, and most compelling rock records of the year
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9.0
142631
9.0 |
Clash
An album designed for the dedicated listener over the passerby, better experienced in its whole than in individual parts. It’s a bold proposition and one that places the band firmly within the future of the rock canon
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9.0
142711
9.0 |
God Is In The TV
Where commercial radio and even some more alternative stations playlists are starting to resemble a tub of Cornish clotted cream, Geese are laying eggs of avant garde, melodic, bonkers pop songs. Quackers
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8.5
142600
8.5 |
Under The Radar
The band’s best effort yet
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8.4
142695
8.4 |
Beats Per Minute
A project that frequently sweeps the listener into a trance, ruptures that trance, and then reestablishes it
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8.0
142791
8.0 |
Spectrum Culture
The Brooklyn four-piece’s impressive latest is an album that feels longer than it really is, but still makes you frustrated when it ends
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8.0
142624
8.0 |
Slant Magazine
This is a thrilling, sometimes confounding album that has an energy all its ow
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8.0
142656
8.0 |
The FT
The New York indie outfit embrace a sure sense of groove in their fourth record
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8.0
142603
8.0 |
DIY
A carefully crafted and expansive release from a group of young musicians truly coming of age
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8.0
142604
8.0 |
The Guardian
Opaque but brilliant, the Brooklyn indie-rock band’s fourth album is full of the dread and dark absurdity of our current moment
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8.0
142596
8.0 |
Mojo
A third album bursting with intense energy and sparkling invention. Print edition only
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8.0
142597
8.0 |
Uncut
The curveballs keep flying through the climactic triptych - the Kid A-evoking eruption "Bow Down", the incantatory "Taxes" and the hallucinogenic "Long Island City Here I Come". Print edition only
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6.0
142595
6.0 |
Exclaim
Getting Killed is certainly several cuts above some other recent offerings from cultural scroungers, but you can't help but remember we were all charmed by Kings of Leon for a while too
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