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10.0
142615
10.0 |
Dork
There’s no shortage of noise in 2025, but precious little of it says something worth hearing. Sprints do
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10.0
142616
10.0 |
DIY
The anger remains palpable, the lyrics ever relatable
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9.0
142620
9.0 |
God Is In The TV
Nothing rushed or thrown-together here, no tour fatigue, just an ever more confident band knocking out a second glorious album in the space of a year. Quite the achievement
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8.9
142687
8.9 |
Spectrum Culture
Sprints completely bury any notion of a sophomore slump by delivering one of the year’s most exciting and atmospherically rich albums
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8.0
142621
8.0 |
The Skinny
Embodying the ethos of punk, All That Is Over mirrors the horrific state of humanity that the world has found itself in
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8.0
142609
8.0 |
All Music
A representative mix of personal and political atrocities, All That Is Over is far from a grim headbanger, rather offering a cathartic, frustrated call to action that seems timely as ever in its blunt demands for care and safe spaces in a world on fire
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8.0
142613
8.0 |
Far Out
After the success of their debut album, you’ll be happy to know that SPRINTS aren’t letting up, and it sounds like they have no intention of doing so anytime soon, either
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8.0
142657
8.0 |
The Irish Times
Karla Chubb and co follow up the spectacular Letter to Self with an irresistible wrecking ball of a sequel
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7.8
142694
7.8 |
Northern Transmissions
On All That Is Over, the band feels confident in their sound. With their new guitarist on board, SPRINTS delves into the horrors of modern life
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7.0
142632
7.0 |
Clash
The self-described “cowboy gothic” leaves the album’s listening experience in a state of assurance that SPRINTS have not crumbled under the pressure of the success of their first album
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6.5
142761
6.5 |
Under The Radar
With a nod to turning personal turmoil into art, All That Is Over is an unvarnished, sometimes exhilarating look at the anxieties that plague a world in flux and is a solid addition to their catalog even if it doesn’t push their sound into entirely new territory
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6.0
142617
6.0 |
NME
The second album by the noise-rock breakouts is sculpted and anthemic, but loses some fire in the process
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