Albums to watch

You Seem Pretty Sad for a Girl So in Love

Olivia Rodrigo

You Seem Pretty Sad for a Girl So in Love

Third album from the American singer and actress produced by Dan Nigro (Carly Rae Jepsen, Sky Ferreira, Empress Of) and featuring a guest appearance from The Cure’s Robert Smith

ADM rating[?]

8.5

Label
Interscope
UK Release date
12/06/2026
US Release date
12/06/2026
  1. 10.0 |   The Independent

    An extraordinary tale of heartbreak from a generational talent
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  2. 10.0 |   DIY

    An accessible yet hugely intelligent album that ushers her into her rightful position as one of her generation’s best artists
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  3. 10.0 |   The Irish Times

    Brilliantly catchy and beautifully bittersweet
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  4. 10.0 |   Sputnik Music (staff)

    Olivia Rodrigo has finally reached the potential I always knew she had, and even further exceeded it in many ways. You Seem Pretty Sad… will go down as one of the decade’s finest albums, and it sits comfortably among the ranks of other modern pop classics
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  5. 10.0 |   Dork

    A mainstream blockbuster with the patience of a cult classic
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  6. 9.0 |   NME

    The popstar goes three-for-three on her introspective, gut-punch depiction of adult relationships
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  7. 9.0 |   Clash

    With ‘you seem pretty sad for a girl so in love’, Olivia Rodrigo has successfully transformed another turbulent part of her life into something beautiful and unskippable
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  8. 9.0 |   Rolling Stone

    The superstar’s third album features even sharper storytelling, even more visceral emotions, and Robert Smith
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  9. 8.5 |   Under The Radar

    Rodrigo unfurls her own restlessness and unhealthy impulses, leaving even the record’s happiest moments feeling raw and exposed on repeat listens. If you let her, she will strip away the cynicism of age, transport you back to your younger years, and take you on the rollercoaster of your first real heartbreak again
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  10. 8.5 |   Hot Press

    In the end, you seem pretty sad for a girl so in love snarls with tension, vulnerability and biting honesty. Holding your gaze and forcing you to watch is Olivia Rodrigo at her most raw, unfiltered and unaffected
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  11. 8.3 |   Spectrum Culture

    Olivia Rodrigo’s latest finds the young singer expanding her music to incorporate more cohesive storytelling, and in doing so, is marking herself as someone taking the artistic side of her job seriously
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  12. 8.3 |   Paste Magazine

    The pop ingenue’s songwriting has never been sharper or more devastating as she combines new wave and post-punk sensibilities with her near compulsive knack for hooks
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  13. 8.3 |   Pitchfork

    A heartbreaking account of an intense romance and its demise. Its mood is perfectly reflected in the music, and her evolution as a songwriter is a sight to behold
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  14. 8.3 |   Consequence Of Sound

    Olivia Rodrigo trades teenage heartbreak for the messier contradictions of adult romance
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  15. 8.2 |   Beats Per Minute

    All 13 songs here are memorable, there’s not a single skip, and with each spin, they become more personal and emotive to the listener
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  16. 8.0 |   God Is In The TV

    For all its standout moments, the album’s greatest achievement is not any single song, but what emerges when the album is experienced as a whole
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  17. 8.0 |   No Ripcord

    Aside from a few unmemorable ballads —the sparse, piano-led “Less” is an exception late on the album — Rodrigo deftly navigates the difficult task of regaining her sense of wholeness when not everything in her life has to make the most sense
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  18. 8.0 |   The Quietus

    Rodrigo returns to the singular relationship framework of Sour, but with a more developed expressive and sonic language

  19. 8.0 |   Slant Magazine

    The album sees the singer taking her skillset to a new level
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  20. 8.0 |   musicOMH

    Californian’s third album offers signs of progression and maturity while presenting a musical dissection of a relationship
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  21. 8.0 |   The Line Of Best Fit

    This only represents her artistic path getting more mature and exciting, especially as she takes risks down the line. After all, in joy and in despair, love leaves a person everlastingly changed
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  22. 8.0 |   The Guardian

    Gossips have rushed to the lyrics for details about her personal life, but the rest of us can just get on with luxuriating in Rodrigo’s funny, Cure-infused craft
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  23. 8.0 |   PopMatters

    Olivia Rodrigo has always crafted her songs to leave her figuratively smiling and winking at her audience. She takes this skill to new heights on her latest LP
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  24. 8.0 |   The Arts Desk

    It tries to build a brittle exterior before 'the memories turn dark' and it all falls away
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  25. 7.5 |   Northern Transmissions

    While the pacing within the songs has experienced a major uplift, Rodrigo’s continuous problem of album sequencing remains glaring. The ratio of replayable, sticky songs to completely forgettable ones hovers around 2:3
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  26. 7.0 |   Exclaim

    If it sometimes feels overly managed and anxious to belong to the moment, the best of it proves Rodrigo can still reach the heights of her first two records when she swings for them
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