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8.0
9359
8.0 |
Drowned In Sound
Dag För Dag’s songs – musically and lyrically – paint powerful images of distorted landscapes and warped personalities. Their melodies are twisted out of shape, but utterly distinctive
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8.0
9615
8.0 |
The Skinny
Dag för Dag have no intention of making ‘boring’ folk to justify the pre-emptive sneers of those who laugh in the face of Saddle Creek
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8.0
10369
8.0 |
The Scotsman
The strum of plangent garagey guitar places them in the strutting rock'n'roll tradition of their homeland
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7.0
27347
7.0 |
Blurt
There's much here to recommend
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7.0
9557
7.0 |
The Fly
Give it enough time, and ‘Boo’ might surprise you
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6.0
9678
6.0 |
NME
This could have been a brilliant twee-pop record But ... it’s somewhere in between dusk and dawn, neither going for the big song, nor the haunting atmosphere
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6.0
9360
6.0 |
musicOMH
Boo's most endearing moments come when the Snavelys allow their Swedish surroundings to bleed into the mix the most: quiet moments with piano, strings, and hushed vocals
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6.0
9411
6.0 |
State
Boo doesn’t make for easy listening, but ever so often it succeeds in introducing a new take on the Americana ballad that is worth the effort
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6.0
9534
6.0 |
The Line Of Best Fit
Neither quite hitting the mark in terms of out-and-out fear and rage nor drawing you further in with emotional content or warmth, the overriding feeling, on reaching the album’s end, was one of something close to indifference
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