24 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second album of guitar rock with touches of retro folk and psychedelia from the Montreal trio
6.2
... expanding and expounding upon the band's sound in a way that is utterly thrilling while still retaining all the muted joy and gentle perfection of Parc Avenue Read Review
The closest we get to a concession that there was life after 1975 is penultimate track Future from the 80s, a beautiful piece of low-strummed ambience Read Review
Their debut was naive, messy and fun; this album sees the band acting all earnest in pursuit of a more 1970s-style AOR record. This seriousness has somewhat damaged the output Read Review
By the time the amps stop ringing, you feel you've travelled through a cohesive, front-to-back, old-fashioned album, one that you probably wouldn't be surprised to learn still got plenty of spins decades down the line Read Review
While La La Land may not be the stellar follow-up that Parc Avenue deserved, it does offer something for fans willing to look beyond its tarted-up exterior Read Review
Plants and Animals are still stretching, still trying to swell around us, and pull us into their world. On this record, they’re just a little more up front, and little less theatric, about it Read Review
La La Land is a sign of a band who aren't afraid to forge their own path at the risk of a lack of commercialism Read Review
These new songs ultimately fail to find a proper balance between Plants And Animals instinctive desire to create something new and their tendency to overtly honor their influences Read Review
In what was already an inane, washed-up concept to begin with, P&A fail to enlighten by opting to deliver trite lyrics and characterless humor for their own amusement Read Review
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Plants And Animals: La La Land
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
Kim Gordon Play Me
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
Underscores U
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
April Harper Grey’s latest hits all the beats of a classic pop record — a choreo-primed single, a power ballad, a post-breakup closure anthem — without overstaying its welcome Paste Magazine
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre NME
Alexis Taylor Paris In The Spring
Paris in the Spring is a gem of a record which, while never over-reaching its ambition, sparkles with electronic ingenuity as it takes in all seasons of human experience Spectrum Culture
It's a beautiful collection of genre-hopping songs. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways