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Guns N' Roses: Chinese Democracy
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Michael Kiwanuka
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This is him at his most assured, resulting in an album that is genuine, gracious, and absolutely first-class
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Josh Tillman’s sixth record might be the healthiest and most wisecrack-laden thesis on the circle of life in recent memory
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Able to disarm and surprise us, even after all these years
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Michael Kiwanuka
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An intimate but confident record that reveals more of its magic with every listen
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Striking a compelling balance between the epic and the intimate
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After “a few non-elective ego deaths”, the once terminally online singer-songwriter looks inward for a gently psychedelic record on which sarcasm is in short supply
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Father John Misty
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While still an immensely enjoyable record, coming from someone who never shied away from mixing it up, it's hard not to walk away from the last song thinking, "Has Tillman lost his nerve?"
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Through its highs and lows, the album does manage to hit many eras of the band and attempts to bring back the sounds of the past
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On her first proper solo album – the most unfiltered, uncompromising iteration of Kim Deal – the restless songwriter flicks through genres as though spamming the TV remote
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Father John Misty has left the building. Mahashmashana, his latest album, reads like an elegy, backed by some of his most ambitious and hefty arrangements to date
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Unequivocally stunning
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