3 July 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Eventual third album from the rock giants, a mere 17 years after Use Your Illusion
5.8
Let's get right to it: The first Guns n' Roses album of new, original songs since the first Bush administration is a great, audacious, unhinged and uncompromising hard-rock record. Read Review
The music toggles between two primary modes: grinding industrial rock and keys-and-strings balladry. Read Review
The songs are epic, long-winded, cleverly stitched together, and subject to constant mood-swings - much like Rose himself. Read Review
These aren't songs, they're suites, energetic and skittering and unpredictable hard rock hydras cut with miasmic industrial grind, stadium rattling metal solos, electronic drift and hip-hop churn. Read Review
So rather than taking popular music one step forward, it's an unashamed Nineties rock album, hence the grunge tinge to Shackler's Revenge and the gigantic ballads Street Of Dreams and There Was a Time. Read Review
The stomping of an imperial army on the march? Or a nod to the self-serious metal monoliths of the '90s - less hair and more scare, perhaps? Read Review
Chinese Democracy's Finnegans Wake-esque gestation means that each track is dense, heavy and will take multiple listens to unravel. Read Review
Clearly not the greatest rock album ever made, but nor is it an absolute and utter failure. Read Review
Woefully flabby in places... but there are still enough momentary flashes of the old steel that made the Appetite for Destruction so good. Read Review
Packs both volume and aggression, but its pleasures are buried in the rubble of 14 different studios and a surfeit of Nine Inch Nails-style industrial rock Read Review
It would be a miracle of Sistine proportions if this album amounted to anything coherent and consistent since 1991. Read Review
The only laughs are unintentional Read Review
Let it be known: ‘Chinese Democracy’ is not the disaster it could have been. Not quite. Read Review
Guns N' Roses: Chinese Democracy
Lorde Virgin
Because for all the grand ideas here, it feels like Lorde has more to say about them, and as the aesthetic and songcraft of Virgin illustrates — almost despite all of this — she is more than skilled enough to do so Beats Per Minute
Frankie Cosmos Different Talking
Different Talking feels like Frankie Cosmos finally coming into its own. By self-producing, the band articulates a broader sound palette than on 2022’s Inner World Peace Northern Transmissions
A thrilling comeback that puts Lorde’s trajectory to the stars back on track DIY
Haim I quit
It’s easy to wonder if the soft-rock trio’s fourth record would be better if it were just a few songs — or, ideally, about 10-15 minutes — shorter Spectrum Culture
Hotline TNT Raspberry Moon
By opening up the recording process to accommodate more people and more ideas, Hotline TNT embrace a different side of themselves on Raspberry Moon, one that feels warmer and more open-hearted while still retaining the fuzz and noise that made their early albums so bracing Spectrum Culture
U.S. Girls Scratch It
While Scratch It lives up to its aged influences, Remy gives these nine tracks an undeniable immediacy, both with her singing and lyricism — which are eerily left of field — along with her spot-on taste in backing musicians and homage-motif Under The Radar
Loyle Carner hopefully!
The sounds are slightly different here than on previous albums and his tentative sojourn into singing is a success because his voice connects as easily as his rapping does Albumism
Lorde trades in her secrecy and mystique for a tremendously healing, desperately relatable record that cements her mark as her generation’s defining artist Northern Transmissions
On the uncomfortable paths of the 28-year-old’s fourth album, slam-dunk bangers are substituted with reinvention and restraint surrendered through hushed, reflective, and carnal synth-pop vestiges Paste Magazine
The New Zealand pop star chips away to reveal her purest self on her fourth album NME
For Lorde, it's an opportunity to reclaim something she thought she had lost long ago, but has always been within her: her true self Exclaim
Different Talking introduces some novel elements to the Frankie Cosmos sound, but despite that, their core identity remains intact Spectrum Culture
Musically Scratch It will probably be the least memorable in U.S Girls’ discography and aside from ‘Like James Said’ and ‘Bookends‘, the relatively thrill-less album does sort of fly by unnoticeably, made worse by the weak closing track No Fruit God Is In The TV
Lorde may not break entirely new ground on fourth album Virgin, but its warmth and texture make it consistently compelling and quietly brilliant The Skinny
yeule Evangelic Girl Is A Gun
A sun-drenched pop album — perhaps the pop record of the summer Under The Radar
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange