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9.0
143215
9.0 |
Slant Magazine
The album is a demonstration of Daniel Lopatin’s mastery of structural tension
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9.0
143298
9.0 |
Northern Transmissions
Despite its title, ‘Tranquilizer’ is deceptively mesmerizing, potently putting calm emotions into a frenzied state, and leaving you coming back for more
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8.6
143204
8.6 |
Pitchfork
Drawing on a cache of commercial sample CDs, Daniel Lopatin assembles an impossibly dense and transportive electronic album that takes impermanence as its inspiration
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8.5
143273
8.5 |
Spectrum Culture
Daniel Lopatin seems eager to play tricks on our brains again with Tranquilizer, yet he also seems more aware than ever about the impermanence of his work
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8.5
143302
8.5 |
Under The Radar
It’s his best work since Replica, and the most complete realization of his long-running obsession with the imperfect persistence of time. Tranquilizer doesn’t just show you a world—it shows you how that world remembers itself
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8.0
143219
8.0 |
Exclaim
Tranquilizer lulls but never fully, relaxes but never wholly; a techno historiography composed of samples and glitches
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8.0
143229
8.0 |
The Guardian
Made using a cache of Y2K sample CDs that Daniel Lopatin salvaged from the internet’s fringes, the kaleidoscopic result speaks to contemporary information overload
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8.0
143230
8.0 |
The Quietus
Lopatin doesn’t just wring moments of grin-inducing audacity from the archive, though, but a startling degree of emotional range too
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7.5
143265
7.5 |
A.V. Club
Daniel Lopatin’s latest and eleventh Oneohtrix Point Never album is a compelling, suitable soundtrack for the modern endless scroll
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7.0
143270
7.0 |
musicOMH
On his 11th album, producer Daniel Lopatin saves the best for last
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