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8.0
1067
8.0 |
Rolling Stone
Documents the unlikely transformation of an emotive indie rocker into a bona fide soul singer.
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6.0
1068
6.0 |
Spin
While her take on Creedence's political burner ""Fortunate Son"" falters listlessly, the Georgia smoke bomb pays homage to soul heavyweights Otis Redding and Aretha Franklin with more success.
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6.0
1069
6.0 |
The Quietus
There's no shame, if you're not in a karaoke bar, in singing other people's songs... If this band were your jukebox, you'd be in for a memorable couple of hours. But then you might go somewhere else to have your spirits lifted.
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6.0
1063
6.0 |
musicOMH
For the most part Marshall gets it spot on, but when she doesn't she only serves to highlight the quality of the originals.
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5.0
1064
5.0 |
No Ripcord
While Marshall does deserve credit for taking on the greats (Franklin and Redding), she again falls short.
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5.0
1066
5.0 |
PopMatters
It’s an exploration of a sonic atmosphere, sure. But if she let just a bit more of her own personality come forward, I think we’d be smiling, and enjoying Dark End of the Street a lot more.
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3.8
1065
3.8 |
Pitchfork
These six cuts were apparently deemed unworthy of inclusion on Jukebox, Cat Power's covers LP released earlier this year, which wasn't terribly impressive itself.
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