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9.1
23770
9.1 |
A.V. Club
Complex and rewarding
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9.0
24933
9.0 |
No Ripcord
Triumphant
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9.0
23006
9.0 |
The Digital Fix
It’s rare that an album provides such a seamless experience between compositions, yet Ravedeath, 1972 succeeds in building an aural journey like no other
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9.0
23345
9.0 |
Drowned In Sound
Draws upon the grandeur of the past but refuses to crumble its bones into sonic dust
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8.8
22185
8.8 |
Beats Per Minute
Hecker clearly has no interest in emulating a “masterpiece” or a record with crossover appeal, and for that some will be thankful and some will be indifferent
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8.6
22187
8.6 |
Pitchfork
A dark and often claustrophobic record that is arguably Hecker's finest work to date
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8.0
22242
8.0 |
Mojo
Very sad and very beautiful. Print edition only
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8.0
22281
8.0 |
Uncut
Irresistibly beautiful. Print edition only
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8.0
22757
8.0 |
AU Review
As fine a study of musical divinity as Eno’s Music For Airports, or GAS’s Nah Und Fern: truly an album to immerse oneself in
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8.0
22186
8.0 |
BBC
His most powerful album yet
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8.0
23352
8.0 |
The Quietus
At high volume, Ravedeath, 1972 approaches transcendence, achieved through the overwhelmingly physical resonance of channeling the past through the present
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7.0
23095
7.0 |
NME
A tour de force of finely textured sound. Print edition only
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7.0
26860
7.0 |
PopMatters
Ravedeath, 1972 is so amorphous and ungraspable that it ranks as Hecker’s most disorienting record, and therefore, perhaps, his scariest
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7.0
22183
7.0 |
Tiny Mix Tapes
Hecker's freshest exploration of the life of rave death comes thoroughly recommended
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7.0
22184
7.0 |
Bowlegs
Maybe it’s the clear air of Iceland or the ambience of a church, but this is some of Hecker’s finest music for sometime
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