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9.5
24185
9.5 |
The Line Of Best Fit
Creep On Creepin’ On might have earned the title of the year thus far; they should also be in line for album of the year as well
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8.5
25884
8.5 |
Beats Per Minute
One of the must-hear albums of the year
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8.0
24328
8.0 |
Eye Weekly
Timber Timbre is still odd, and oddly infectious
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8.0
24378
8.0 |
Q
They're big city in origin, but country at heart. Print edition only
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8.0
24546
8.0 |
Eye Weekly
Oddly infectious
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8.0
27066
8.0 |
Uncut
Truly terrific. Print edition only
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7.0
29355
7.0 |
The AU Review
Timber Timbre is music for the graveyard on a full moon at midnight. It’s cold, it’s eerie, it’s disturbing. It’s beautiful... A beautiful nightmare!
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7.0
29594
7.0 |
Rave Magazine
A rich tapestry of sounds centred on the restrained vocals of bandleader Taylor Kirk
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7.0
24889
7.0 |
AU Review
Timber Timbre have made an album that is positively in love with music itself, albeit one that might be scared of its own shadow
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7.0
25428
7.0 |
AU Review
An album that is positively in love with music itself, albeit one that might be scared of its own shadow
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7.0
24668
7.0 |
NME
[They] know how to carry out a quiet threat
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7.0
24708
7.0 |
Bowlegs
An original and atmospheric album of creepy folk/blues horror
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7.0
26230
7.0 |
God Is In The TV
If the church organ camp horror of Nosferatu et al sounds more your bag, Timber Timbre’s biting ’Creep On Creeping On’ is definitely worth the time
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6.7
26699
6.7 |
Pitchfork
Stylish as Kirk's songs can be, they aren't always well suited by Creep On's contrasting patterns
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6.0
24543
6.0 |
The Digital Fix
The whole thing is drenched in a yearning for a 50's that never existed. It's all a bit Twin Peaks, and the finer for it
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6.0
24745
6.0 |
Blurt
Creeping pace and simple arrangements belie the wire-taught tension at the songs' core
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6.0
24643
6.0 |
Drowned In Sound
Positively revels in its dearth of light and tumultuous doses of shade
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6.0
33285
6.0 |
PopMatters
Kirk was always capable of sounding like a backwoods demon/preacher, but on Creep on Creepin’ On he sounds a lot less like a lone voice in the wilderness
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5.0
24759
5.0 |
Consequence Of Sound
Listening to the wide variety of sonic styles explored throughout the course of Creep On is impressive, as they attempt to cover so many genres, but Timber Timbre would be better served mastering one or two instead
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5.0
24483
5.0 |
The Observer
Combining doo-wop, crepuscular blues and, on "Swamp Magic", woozy chamber pop
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