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8.0
30840
8.0 |
The Observer
Offers the same mainstream mash-up of indie-pop and dance, the beats and synth lines slightly more souped up
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8.0
30793
8.0 |
The Guardian
What Killer Sounds lacks in originality and substance it certainly makes up for with tunes
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6.0
30800
6.0 |
Evening Standard
Richard Archer's love of a shouty chorus still dominates, and everything feels designed to soundtrack the footy highlights
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6.0
31049
6.0 |
Uncut
State-of-the-art pop played by a meat-and-potatoes indie band. Print edition only
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6.0
30892
6.0 |
Q
Feels like a missed opportunity. Print edition only
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6.0
30666
6.0 |
BBC
An assured third set, but these invention-free sounds aren’t exactly killer
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6.0
30667
6.0 |
NME
It's one of the most batshit strange records you're ever likely to hear
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5.0
31217
5.0 |
Entertainment.ie
A reliance on trying to find hit songs is what ultimately drags this album down
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4.0
31143
4.0 |
State
Arrives not to clamorous praise or overwhelming condemnation, but to more of a collective shrug
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4.0
30776
4.0 |
The Independent
Beneath the bluster it's pretty dull fare
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4.0
30780
4.0 |
The Irish Times
You probably won't hear a more drearily predictable album all year
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4.0
30992
4.0 |
The Scotsman
Makes frequent, clichéd claims to be "out of control", "insane", "getting out of my head" with no musical evidence to support this
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4.0
30994
4.0 |
Scotland on Sunday
They are trying too hard to impress after the last album got a well-deserved kicking
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2.0
30727
2.0 |
Daily Telegraph
The macho, sexualised lyrics sound seedy – or worse, menacing – and what prosaic hooks exist are obscured by the dirge
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