23 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Rarities, unreleased tracks and remixes on this collection from the influential electronica and techno producer and DFA cohort
6.6
Feels like a perfectly focused set of retro-modernist dance. Print edition only
A mixed bag featuring some very lofty highs and a whole bunch of stuff that the world probably never cried out for, but will be more than happy to have gleaned as a result Read Review
While this may be something of a stopgap release while Maclean tries out a new venture or two, Everybody Get Close has plenty of dancefloor nouse, and is switched on to the rhythm throughout. Clearly the quality threshold is high in Maclean's house-hold Read Review
A collection that both dimly mirrors Future and shows MacLean stretching into the production of more faceless but more functional dance tracks Read Review
Shows that there's more to John MacLean than his albums suggest Read Review
Until whatever Maclean does next, this is a good stopgap Read Review
Has plenty of dancefloor nouse, and is switched on to the rhythm throughout Read Review
With a retro feel nodding to Kraftwerk, the Human League, etc, the big grooves mostly deserve their wider hearing Read Review
May be a stop-gap between Juan albums proper, but it doesn't feel like filler Read Review
Print edition only
It's a less hybridised, more retro sound than LCD. Print edition only
Though it suffers from the kind of inconsistency that usually plagues odd-and-ends collections, it does offer an adequate sampling of Maclean’s sound that suggests the steady evolution of MacLean’s sonic ideas Read Review
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The Juan MacLean: Everybody Get Close
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
Kim Gordon Play Me
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
Underscores U
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
April Harper Grey’s latest hits all the beats of a classic pop record — a choreo-primed single, a power ballad, a post-breakup closure anthem — without overstaying its welcome Paste Magazine
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre NME
Alexis Taylor Paris In The Spring
Paris in the Spring is a gem of a record which, while never over-reaching its ambition, sparkles with electronic ingenuity as it takes in all seasons of human experience Spectrum Culture
It's a beautiful collection of genre-hopping songs. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways