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9.0
1978
9.0 |
The Quietus
I Feel Cream is the sound of considered hedonism packed into 41 minutes. Joyous, unencumbered and — yes — mature, this is a glorious, fabulous album that merits your time and attention.
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8.0
1977
8.0 |
The Times
An album firmly rooted in the lineage of great electronic dance music.
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8.0
1967
8.0 |
Evening Standard
Laden with her trademark thumping electro glampop
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8.0
1968
8.0 |
musicOMH
The production is a balancing act - not an ounce of fat but each song still smacks you in the face.
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7.3
1971
7.3 |
Pitchfork
Peaches still produced the lion's share of the album on her own, and her sensibility as a musician has clearly evolved along with her approach to lyrics.
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7.0
1972
7.0 |
PopMatters
A fun and worthwhile album, though is unlikely to change any minds about Peaches. Fortunately, that also means she shows no signs of losing her touch.
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7.0
1973
7.0 |
Spin
Like most extreme acts, this trash-talking MC's strengths are best showcased in wham-bam singles.
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7.0
1969
7.0 |
NME
Given her previous form and the fact there’s an army of others (Yo Majesty, Thunderheist et al) doing similar stuff so well, she’d have to pull off (ahem) something special to shock us in this day and age, and this album doesn’t do that.
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6.0
1970
6.0 |
No Ripcord
Exists as no more than a baby-step towards artistic maturity, and one that may be entirely too little, too late.
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6.0
1974
6.0 |
The List
Not Peaches’ most energetic or hardcore, there’s still plenty to like.
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6.0
1975
6.0 |
The Observer
Peaches's pet themes began to lose their fizz half a decade ago.
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6.0
1976
6.0 |
The Scotsman
The beats are stealthy and the talk is bold yet again – ""I drink a whisky neat, you lick my crow's feet"" is just the tip of the too-much-information iceberg.
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6.0
1966
6.0 |
Drowned In Sound
Peaches shows herself developing, late in her career, but unlikely to infiltrate the market she's targeted.
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6.0
1979
6.0 |
Rolling Stone
Peaches' bawdy pop feels like a refreshing breath of filthy air
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