15 November 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
This collaboration sees the Australian electronic dance duo get access to John's master tapes and remix some of his 70s songs
7.4
New remixes of golden oldies rarely succeed in balancing the classic’s magic with modern context, but Pnau have produced eight surprisingly original and sublimely brilliant pop nuggets with a Balearic and cosmic disco sheen Read Review
It’s a creation that deserves as much respect from critics as it does from the sternest of Elton John die-hards Read Review
A truly remarkable record that will repay your deep and repeated listening tenfold. Print edition only
Amazingly, Elton John has been re-invented once again Read Review
The results here are surprisingly congenial, their sparkle only slightly subdued by the breathy reverb that swathes everything in a sonic dust entirely appropriate to the 1970s source Read Review
Pnau have sliced and diced prime cuts from their mentor's early-1970s golden age and reconstituted them into a Balearic chill-out mixtape Read Review
More than laboratory made candyfloss, it’s irresistible Read Review
Refreshingly unpredictable, this is a blueprint for what remix albums should aspire to Read Review
Pnau cleverly evoke some of the spirit of Elton’s disco but it’s seen through the prism of the retro-disco that pervades certain elements of modern dance-pop Read Review
The results range from danceable to unnerving and give off an atmosphere of ghostly melancholy that subtly subverts Elton’s reputation as a cosy British institution Read Review
At its best, shimmering and Balearic, the process makes dreamy summertime listening, but when it misfires, it may as well be sent straight to your local winebar Read Review
Whether John's more die-hard fans will approve of this treatment is up for debate, but for the more casual listener it's definitely a more engaging introduction to some of the less famous songs Read Review
With the old adage that it's about quality and not quantity, this 'Volume 1' - for there could well be more - will be welcomed with arms outstretched on the dancefloor Read Review
Roll over video for more options
Elton John vs Pnau: Good Morning To The Night
U2 Carnaval de Luz
This is not a radical reinvention of Rattle And Hum-to-Achtung Baby magnitude, or even a wilful evolution akin to that from How To Dismantle An Atom Bomb to No Line On Th Horizon. The ghosts of U2's past are summoned in numbers, though they are frequently mischievously partnered to interestingly incongruous effect. Print edition only Uncut
The Irish legends' best work in 25 years homages their eras, brings Brian Eno to bear on keys and even wheels out the late Dolly Parton musicOMH
Royal Blood Dead Company
It’s a record that sounds exactly like you would hope a new Royal Blood album would sound like, it’s little wonder that they are as big as they are, a consistently fine listen God Is In The TV
Kings Of Leon O My Beloved
With Carnaval De Luz they are not reinventing themselves or trying to be the current flavour of the month. What they do with this album is revisit their older glories and create new music and sound Spill Magazine
U2 return with a defiant and celebratory record that captures them still at the height of their powers Hot Press
This is Lorelei The Singer In My Band
Nate Amos fills his latest album with other people’s stories: some linger, others get lost in the scenery Still Listening
Out for blood! Brighton bruisers Royal Blood blast back-to-basics on fifth album Kerrang!
Mike Kerr and Ben Thatcher floor the accelerator and embark on another collision course of energised and uncompromising riff-rock for album number five NME
Dead Company is arguably the best album they’ve released since their debut, but doesn’t exactly come close to topping it Sputnik Music (staff)
Royal Blood's latest album is competently made and frequently enjoyable, but almost entirely foreseeable The Skinny
There are no frills on this fifth set, once again self-produced by Kerr and Thatcher; instead, it provides a brisk hard rock assault that should please the faithful and entice newcomers to dig into their back catalog All Music
Bono and co. return to full strength with a celebration of hope over despair Mojo
Twisted Teens The Holy Cross Tigers
They revamp the work of their progenitors while at the same time transcending it. Never wandering too far from the music that inspires them, Twisted Teens occupy a space that is distinctly theirs Beats Per Minute
Shygirl Swallow!
The UK electronica figurehead takes a sentimental turn on her tender but assured sophomore release Paste Magazine
The Irish stadium legends’ latest is pedantic and ambiguous, rife with centrist pandering that ends up saying nothing at all Paste Magazine
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways