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8.7
46985
8.7 |
Paste Magazine
Classic Amos
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8.0
47022
8.0 |
God Is In The TV
This album may be ‘one for the fans’ but I really hope that it reaches a new audience, and allows people to see the immense musical abilities of Amos, in all their glory
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7.0
47072
7.0 |
BBC
All things considered, Gold Dust works as an introduction to Tori Amos, though an imperfect one. It should also persuade a few lapsed fans to get reacquainted
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7.0
46888
7.0 |
The Digital Fix
Serves as a good reminder of the quality of Amos’ back catalogue. It’s far from essential but breathes new life into familiar works
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7.0
46906
7.0 |
All Music
It is most certainly for her dedicated fans, who will no doubt find elements in these new versions to enjoy
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6.0
46885
6.0 |
musicOMH
The one big drawback of Gold Dust is the danger it may provoke a ‘so what’ reaction, simply because for all of its polish, it doesn’t really take the listener anywhere that interesting
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6.0
46886
6.0 |
Slant Magazine
Amos is in fine voice throughout, and the depth of sound provided by the Metropole Orchestra is consistently robust, but the classical-adjacent arrangements here rarely uncover new facets to Amos's songs
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6.0
46887
6.0 |
The Independent
In some cases, as in "Cloud on My Tongue", the orchestrations serve as little more than swaddling blankets. But the more thoughtful rearrangements can be transformative
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5.8
47201
5.8 |
A.V. Club
While anyone who lost touch with Amos over the years will certainly enjoy Gold Dust—and the sonic upgrades to some of her best songs are sublime—in the end, it’s not essentia
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5.0
47166
5.0 |
PopMatters
Gold Dust is split right down the middle, with half of it being interesting and a pleasure to listen to with nice reworkings of old classics or new favourites, while the other half is in many ways an offensive and superfluous mess with lazy production techniques and baffling song choices
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4.0
47061
4.0 |
Q
There are no wildly adventurous adaptations here. Print edition only
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