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8.5
50442
8.5 |
Beats Per Minute
The album’s success is partly owed to Chung’s change in focus, exploring the more minute areas of his sound. The record is patient and delicate, but Chung remains a constant if not aggressive presence within every track
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8.0
50634
8.0 |
musicOMH
A significant statement from a hugely impressive producer at the peak of his powers
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7.8
50104
7.8 |
Pitchfork
The producer has clearly retained his ability to produce the studied soundscapes that made his debut so promising. It's just the sharp edges are now complemented by some soft ones
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7.8
49863
7.8 |
Bowlegs
As a record it always feels like you alone are plugged in, the sole reciprocate for this impressive exploration of sound
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7.5
49864
7.5 |
BBC
A quieter, more introspective set than its maker’s 2009 debut, Drift
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7.0
49861
7.0 |
Drowned In Sound
His music may be well accustomed to the basements and clubs of the beard-stroking masses, but none of his music has ever truly crossed over to a more traditional dance set, vocals and all - until now
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7.0
49862
7.0 |
The Line Of Best Fit
A few too many tracks seem to pass like strangers on a busy street, heads down and hands in pockets, as if afraid to attract attention
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7.0
50134
7.0 |
All Music
The mellowness and restraint of his second album is surprising
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7.0
50526
7.0 |
No Ripcord
There are plenty of producers making down-tempo, atmospheric electronic music. Nosaj Thing might not be the most original of them, but he does what most can’t: he finds a voice in a flooded genre
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6.7
50029
6.7 |
Pretty Much Amazing
Bizarre, and at times beautiful, but overall it leaves a longing for some direction
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6.0
50392
6.0 |
Q
Pretty much everything moves at the same sedate tempo. Print edition only
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4.0
50014
4.0 |
Slant Magazine
An album full of headphone music that isn't enhanced by headphones, and club bangers that barely bang
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