-
9.0
56220
9.0 |
musicOMH
A richly beguiling and inventive work that crosses musical boundaries effortlessly
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8.0
56221
8.0 |
NME
It’s daft, hypnotic, erotic, evil and unhinged all at once
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8.0
56223
8.0 |
All Music
The level of carefree delight brimming throughout has to be, at the very least, admired
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8.0
56247
8.0 |
Mojo
An hour of absorbing rhythmic transport. Print edition only
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8.0
56387
8.0 |
Q
Mischievously sexy. Print edition only
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7.0
56454
7.0 |
Uncut
Celebrates the primitive pleasures of language, funk and rhythm. Print edition only
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7.0
56222
7.0 |
The 405
Its best moments are on par with Aguayo's finest work, it manages to retain the sense of fun and musical dexterity he has become known for
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7.0
56763
7.0 |
Loud And Quiet
Aguayo’s slightly iffy English lyrics mean that the tunes he tackles in Spanish are far more engaging – and the ones sung in only nonsense syllables better still
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6.0
56876
6.0 |
The Irish Times
A man very much out of step but moving onwards and upwards nonetheless
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6.0
57117
6.0 |
The Guardian
Aguayo's integration of Latin rhythms and cacophony of vocal stylings – chants, raps, spoken word, purrs, growls – capture something of the spontaneous spirit of his BumBumBox street raves
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6.0
56711
6.0 |
The Observer
A post-digital block party full of computer music whose Latinate rhythms and rolled Rs don't conform to grid or template
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5.9
56280
5.9 |
Pitchfork
There's potential in The Visitor's mix of electro, new wave, and pop, but it's obscuring or distorting Aguayo's personality, which is the engine that has driven his songs for so long
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5.0
56224
5.0 |
Clash
The melting pot that has gestated for five years ends up being served cold as gazpacho
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