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8.0
58310
8.0 |
Independent on Sunday
Bands like Glasvegas aren't meant to exist any more. Be glad that they do
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8.0
58360
8.0 |
The Scotsman
James Allan’s songwriting chops still well up to scratch following their unfairly maligned second album Euphoric Heartbreak
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7.0
58355
7.0 |
musicOMH
It’s better than that ‘difficult second album’
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7.0
58233
7.0 |
Clash
The band’s talent for transforming the ordinary into the epic remains
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7.0
58381
7.0 |
All Music
An epic stadium-filler that retains all of the grand conceptual ambitions of 2011's Euphoric Heartbreak without losing the emotional core that made the band's 2008 self-titled debut such an engaging listen
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6.0
58468
6.0 |
Slant Magazine
Later isn't quite the world-conquering rock opus their debut turned out to be, but it proves that Glasvegas has effectively shaken off their second-album hangover
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6.0
58236
6.0 |
NME
A bold statement of intent and hope
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6.0
58237
6.0 |
Mojo
Polished mid-paced throbbers, alive with feedback. Print edition only
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6.0
58238
6.0 |
Uncut
While Allan's thick Glaswegian brogue will continue to alienate as many as it appeals to, he's conjured some fine balladry here. Print edition only
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6.0
58368
6.0 |
The Observer
While Later... lacks the intensity of the band's first set, the title track and Choices in particular suggest they shouldn't be dismissed
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6.0
58369
6.0 |
The Digital Fix
Self-contained, complete and nowhere near as bad as instinct screams
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5.0
60946
5.0 |
PopMatters
To be sure, Glasvegas is a talented band and they show this talent in flashes here. But when they settle into their niche, the overall feel is rather boring
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5.0
58235
5.0 |
Drowned In Sound
Pales in comparison to Glasvegas’ previous offerings, among other shortcomings lacking a sense of overarching dynamics
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4.0
58234
4.0 |
The Skinny
The trick’s grown familiar and lost its thrill, and the band’s swollen, wet-eyed emotion struggles to forge a connection
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