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8.0
61617
8.0 |
NME
Themes of late-night hallucinations and dreamlike states are achieved by combining sounds that hark back to Cocteau Twins with the more chillwave-y trans-Atlantic influences of, say, Youth Lagoon
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7.0
61585
7.0 |
Uncut
Destined for cult appeal. Print edition only
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7.0
61613
7.0 |
The Line Of Best Fit
An ambitious premiere, but one that’s not had all it’s misshapen foibles ironed out
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6.0
61593
6.0 |
musicOMH
It offers lashings of promise for Patterns’ future if they can either hone their songwriting skills or take a detour down the lengthy drone-pop street
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6.0
61627
6.0 |
The 405
It's a calming and confidently heartfelt debut
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6.0
61633
6.0 |
Q
Stuttering debut from chillwave-y Manchester four-piece. Print edition only
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6.0
61645
6.0 |
God Is In The TV
A solid enough, if not spectacular album
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6.0
61578
6.0 |
The Skinny
The Manchester quartet’s debut evidences clear songwriting talents, with an anthemic edge giving definition to tracks like Blood
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6.0
61579
6.0 |
DIY
Throughout, there's little to tell between verses and choruses in terms of melodic quality, and the whole is actually rather startlingly beautiful at times
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6.0
61580
6.0 |
The Guardian
Operates at the intersection of distortion, melody and dreampop, with My Bloody Valentine, the Jesus and Mary Chain and the Cocteau Twins the obvious influences
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6.0
61581
6.0 |
The Irish Times
An album that’s largely durable and occasionally even uplifting
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6.0
61582
6.0 |
Loud And Quiet
Despite its moments of shimmering beauty and its attempts to reach for something extraordinary, it’s a record that ultimately disappoints
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