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8.0
2832
8.0 |
The Irish Times
What a debut should be – original, uncompromising and compelling
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8.0
2837
8.0 |
Mojo
Print edition only
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8.0
5731
8.0 |
NME
Don’t let those vintage dresses and heavy false eyelashes fool you. Cate Le Bon is one strange creature. Her odd, beautiful songs burrow like furtive woodland creatures to a safe nest lodged firmly between tradition and individual talent
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8.0
6999
8.0 |
The Quietus
Le Bon isn't consciously trying to sound different. She just does, and effortlessly too
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8.0
9374
8.0 |
Rave Magazine
Le Bon proves that she deserves the Nico comparison: like the Velvet Underground’s one-time chanteuse, she has several distinct registers, an indeterminate accent, and the ability to both soothe and scare the shit out of you
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7.3
12888
7.3 |
Pitchfork
An understated work, but by no means an underwhelming one
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6.0
7210
6.0 |
State
...album full of moments of autumnal depth and shadow that has the makings of an interesting debut but sadly unravels losing its way at the end of a promising journey
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6.0
5826
6.0 |
Q
Print edition only
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6.0
2834
6.0 |
Drowned In Sound
An album stuck somewhere between experimentation and traditional folk that benefits from both camps but is held back by refusing to have a firm footing on either side.
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6.0
2835
6.0 |
The Independent
Closer to wyrd-folkie than soul-diva, but blessed with a unique line in imagery, and a ramshackle innocence to her musical approach
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6.0
2836
6.0 |
Uncut
In truth, Me Oh My is a slender album, but there’s much to recommend it. It’s quirky and confident; mindful of tradition without getting bogged down in issues of authenticity
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5.0
2833
5.0 |
musicOMH
There's no denying that there are many moments of fragile beauty, and there's certainly a lot of promise. But the songs will have to be a bit stronger for Cate Le Bon's second time around.
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