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9.1
64807
9.1 |
Consequence Of Sound
Drop is Dwyer’s absolute piece de resistance, a personal triumph, a paradigm shifter, and a poignant love letter all at once
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8.0
64846
8.0 |
NME
The thrill of The Oh Sees isn’t so much in moments of outright mayhem as the way they create a neat equilibrium between chaos and control
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8.0
64556
8.0 |
The Skinny
They’ve donned their thinking caps, and it’s a look that suits ‘em just fine
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8.0
64557
8.0 |
Time Out
The effect is intoxicating. This is surely not the sound of a band on the verge of implosion
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8.0
64558
8.0 |
Uncut
This is a band that refuses to settle down
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8.0
64576
8.0 |
The Guardian
The various sides of Thee Oh Sees are comprehensively represented on Drop
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7.8
64928
7.8 |
Pitchfork
Even at their most relaxed and reverential, Thee Oh Sees’ feisty, impulsive essence still cuts through loud and clear
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7.5
65048
7.5 |
Pretty Much Amazing
It stands as another half-hour of front-to-back garage bliss from one of the finest, most prolific Nuggets-schooled rockers around
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7.5
65393
7.5 |
Beardfood
It's fun; it's commanding
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7.5
64886
7.5 |
Paste Magazine
They’re professors, historians, torchbearers and revivalists—intrepid travelers on the cusp of sonic oblivion, boldly distilling (and updating) a genre that’s as vibrant as ever, if a lot more niche
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7.3
64852
7.3 |
Earbuddy
Drop falls prey to diminishing returns with each successive track with the exception of “Put Some Reverb On My Brother”
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7.0
64620
7.0 |
All Music
If you've ever been turned off by their layers of skronk, or the acid-damaged travels into the sonic wilderness, Drop could well be the album where this band finally catches up with you
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7.0
66726
7.0 |
PopMatters
Drop is something fans of guitars and reverb need desperately in 2014, just as with every Thee Oh Sees release before it
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6.0
64602
6.0 |
The Observer
These nine tracks scamper along, unfettered by genre hang-ups and aided by guest guitarist Mikal Cronin
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