22 May 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second full-length album from the Little Rock, Arkansas doom metal band produced by Billy Anderson (Swans, Impaled, and Sleep)
8.2
It’s quite simply moving, the sounds of dislocated souls finding a voice at last Read Review
The textural depth on the record is something to behold Read Review
They have triumphed massively again Read Review
Foundations finds a band firing on all cylinders, and surpassing what seemed like a watermark for the genre Read Review
Rather than carry a casket loaded down with the fast-tiring tropes of the doom genre, with Foundations Of Burden Pallbearer choose to breathe thrilling new life into them Read Review
Even though the album is crushing, the band’s penchant for melody is what elevates Foundations of Burden above otherwise comparable records from this year Read Review
Requisite darkness is all over Foundations of Burden, but it isn't the only shade of emotion here. There's the hint of a glimmer in each song that other doom bands can't conceive, let alone get to Read Review
Whether you’re a seasoned doom metal vet or a newcomer to metal altogether, you’ll find little burden in the walls and high ceilings Pallbearer have built Read Review
If they continue to write songs of this statue in the future then Pallbearer could well be doom metal’s light at the end of the tunnel Read Review
They mix the crushing, cold-storage riffage of stoner metal with the psychedelic interludes of, well, classic Mastodon Read Review
As a sophomore album, it does everything it needs to do to keep Pallbearer’s status as being elites in their genre Read Review
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Pallbearer: Foundations Of Burden
Ed O’Brien Blue Morpho
‘Blue Morpho’ offers a reminder that, as he and his other bandmates have repeatedly proved, O’Brien boasts a wholly-uninhibited approach to how rock and pop music is arranged, resulting in works that move and grow like the building blocks of life itself Clash
Kevin Morby Little Wide Open
Represents a musical homecoming for Morby to the Americana that is central to much of his work No Ripcord
Lykke Li The Afterparty
On a purportedly final album, the Swedish electro-pop singer’s disenchantment takes shape around sparkling synth and light-touch disco beats Pitchfork
Paul McCartney The Boys of Dungeon Lane
A richly nostalgic trip that proves this legend is still as creative as ever Rolling Stone
Tori Amos In Times Of Dragons
Her vocals have rarely sounded better. A husky tone has slowly emerged, giving her a Patti Smith croon to her words of scorn. Anyone who has followed Amos’ career to date will relish this addition to her cannon. It might, hopefully, attract new fans too Under The Radar
Full of wonder, full of creativity, and possibility, fully realized and here for our delight. Like the album as a whole this is a truly excellent piece. It features lyrics full of thankfulness as we “feel the grace in all of life, thank you for this time.” What a great note to end a special album on Under The Radar
The Coral 388
By the time the rocksteady sway of “Spirit Catcher” and the effortless pop beauty of “Crossing The Sands” close the album, The Coral seem firmly back in the swing of creating music again. Hiatus done and dusted XS Noize
Every choppy guitar line and snaking Hammond or Farfisa lick form hooks in their own right The Arts Desk
By reconnecting with their past, The Coral have found the essence of who they are now - and it's pretty magical Mojo
It's an utter delight, an album that touches on all those influences [rocksteady, doo wop, soul, ska and 2-Tone] but still sounds like nothing but The Coral. Print edition only Record Collector
It’s a lucky number thirteen for fans – The Coral remain a band to cherish Clash
Despite an unorthodox release pattern that harks back to an era before streaming, the Wirral outfit's 13th album is one of their most accessibl musicOMH
Broken Social Scene Remember The Humans
While Remember the Humans aims to recapture something of vintage Broken Social Scene, the key aspects of their old sound simply can’t be reproduced by this version of the band Spectrum Culture
The singer/songwriter makes a valiant pivot into rock, though he lacks the backbone, grit and conviction to make it work Spectrum Culture
The guitarist’s second solo outing – but first under his actual name – offers mindfulness via a widescreen prog-folk trip NME
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways