25 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Third studio album from the Texas instrumental post-rock quartet
6.7
From a distance, it’s the kind of no-holds-barred heavy rock sound that Mogwai made their own, but This Will Destroy You take it a step further Read Review
Its nine songs all succinctly traveling through passages of bizarre echoes, blown-out explosions of sound, and the band's always airtight sense of dynamics Read Review
If this is post-rock, it’s in the purest sense of that prefix: it’s rock that goes beyond expectations for the genre, even while working within its confines, to somewhere that you sense its players aren’t quite accustomed to yet Read Review
The band makes unexpected dynamic pushes seem easy to pull off and easier to internalize as a listener, but on first listen, each comes as a surprise Read Review
Another Language is another good record that takes some risks, some more successful than others Read Review
Another Language goes smoothly, and rather quickly, into territory that freezes the fleeting so we can, if just for a few minutes, see it while we’re still alive Read Review
A solid entry for This Will Destroy You, but it doesn’t add much to the genre’s ouvre, or even the band’s mythos Read Review
There’s an ebb and flow of ambient synth across the tracks, coalescing with stunningly precise instrumentation and delicate harmonies Read Review
This is This Will Destroy You's third album and they've probably all sounded more or less like this Read Review
The sound of a band tentatively exploring new territories within instrumental music but it also feels like a work in progress Read Review
This Will Destroy You manages to create a sound wholly its own while still operating fully within the basic framework of the post-rock/instrumental rock genre Read Review
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This Will Destroy You: Another Language
Fcukers Ö
Nothing about the album asks permission: it wants a dancefloor, a crowd and a slightly irresponsible amount of volume Dork
A swift album that’ll prove difficult to grow tired of DIY
Altogether, Ö feels like candy: addictive, sweet, glossy; the ultimate sugar rush. While it remains to be seen if there's a crash coming, Fcukers are undeniably the life of the party Exclaim
For a band sold as New York's next great party-starters, much of the debut album from Fcukers feels oddly undercooked The Skinny
It doesn’t take itself too seriously, and it’s exactly what’s needed heading into summer. Fcukers know what they do best, and they are at the top of their game. Who’s ready to keep up with them? The Line Of Best Fit
Robyn Sexistential
After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love The Guardian
Underscores U
This is a proper pop album, not in spite of its oddness, but because of it Dork
James Blake Trying Times
It’s not Blake’s most immediate album, and probably not his most consistent. But it might be one of his most honest, not because it says more, but because it leaves more unsaid Beats Per Minute
The Twilight Sad It's The Long Goodbye
Six albums in, they’ve delivered something that feels both intensely personal and completely universal. It’s The Long Goodbye doesn’t try to dress anything up or soften the edges. It sits with the reality of loss and lets it unfold in its own time XS Noize
The Black Crowes A Pound of Feathers
Chris and Rich Robinson didn’t twiddle their thumbs when putting together this bubbling cauldron of rock, blues, soul and funk – A Pound Of Feathers was done and dusted in just 10 days, and benefits from both discipline and spontaneity Record Collector
The essence of what has driven Robyn’s 30-plus year career DIY
Questioning everything about love, life and sex, Robyn takes us on a joyride that’s both serious and silly NME
BTS ARIRANG
After nearly four years, the world-conquering boyband are back, bringing with them new reflections on life and shining light on more facets of their cultural heritage NME
In so clearly seeking to recapture a certain kind of early-millennial energy in its production and songwriting, Sexistential perhaps forfeits the potential to be its own thing in a way that Honey indisputably was Exclaim
With the shackles of the majors thrown off, Trying Times seems like the most fun Blake has had in a while Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways