2 March 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Much-delayed fourth solo hip hop outing for the Wu-Tang Clan rapper, the sequel to 95's Part 1
7.8
A bittersweet victory. A successful last grasp. A beautiful, tragic goodbye of a banger Read Review
The best Wu-affiliated album since that first round of solo joints; it’s as good as it could/should be considering the legend and personnel involved, and that’s a steep compliment Read Review
...quite simply one of the best rap records released this decade: literate, funny, dark, evocative and meaningful all at once Read Review
Between the hype, the anticipation and the attachment of a legendary album's legacy, anything less than a classic would have proven to be a major disappointment. Few albums have gone through this much turmoil and delay in the planning stages yet turned out so cohesive and tight. Read Review
An album just about fit to hold up the lauded title. Read Review
Pt. II approximates the feel of the original, with Dr. Dre, RZA and the late J Dilla working up a slicker version of the first volume's eerie production Read Review
Print edition only
Musically and lyrically, Raekwon has topped himself, removing the stigma of Immobilarity and The Lex Diamonds Story to drop what may be the hip-hop record of the year Read Review
While the songs may lack the original’s wild-eyed narrative, they still contain some of his most rewind-worthy bars in years Read Review
...even the Rolling Stones’ new albums are more adventurous than this Read Review
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Raekwon : Only Built 4 Cuban Linx... Pt. II
Bdrmm Microtonic
The quartet’s increasingly electronica-based textures convey a sense of tension and unease on their third album The Guardian
Ichiko Aoba Luminescent Creatures
The cult Japanese singer-songwriter’s new album, inspired by the Ryukyu islands, is like a powerfully soothing sound bath The Guardian
Darkside Nothing
Guided by the idea of wiping the slate clean, Nicolás Jaar and Dave Harrington’s third album is a raw, surprisingly funky, desperately hopeful response to the chaos of the 2020s Pitchfork
The New York trio have made an album almost bursting with ideas, one that, given the time, you’ll want to live with for months to come musicOMH
The musical quality and innovative ideas at the heart of these works are undeniable, and Darkside have clearly poured a lot of inspiration into the album. Ultimately, though, its lack of cohesion makes for a sluggish listening experience Far Out
Nothing is a refreshing exercise in disorientation, rewarding those willing to let go and get lost in its unpredictable soundscape Northern Transmissions
There's a formlessness to the greater endeavour that ensures it's somehow less than its constituent parts. Still, the likes of subterranean Latin shuffle American Reference possess an invention and mystery that makes this an endlessly fascinating place to get lost. Print edition only Mojo
Darkside opens up on Nothing with a playfully weird set of baroque pop that takes in bluesy '70s skanking and cavernous grooves. Print edition only Uncut
On the third record, DARKSIDE are happy to remain unfixed, bumping between fun and familiar grooves with an element of chaos The Skinny
The songs on Microtonic simply aren't as memorable as the highlights of their debut. It sounds impressive, but it exists in a sort of netherworld between expansive sonic exploration and fully engaging songwriting All Music
A deep love for dance music and invigorating writing infuses the band’s third record with an incredible vitality NME
‘Microtonic’s’ Balearic/rave undercurrents suggest bdrmm would be happy to be faceless, akin to a DJ The Arts Desk
It's a beautiful soundscape to get thoroughly lost in. Print edition only Mojo
There's a powerful, invigorating beauty about their best work yet. Print edition only Record Collector
Boldest of all is the grimy techno pulse and bass thrum of "Lake Disappointment", which pulls off a stylistic switch while maintaining the winningly smoky atmosphere of the album as a whole. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together