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8.0
76003
8.0 |
All Music
Crimes of Passion may have been where Crocodiles became a great pop band; Boys is where they solidify that position and really start to have some fun with it
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7.0
76002
7.0 |
musicOMH
To knock out so many albums in just six years is nothing short of remarkable, and to maintain consistency is even more of an achievement, but that’s exactly what Crocodiles continue to do with the release of Boys
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7.0
76016
7.0 |
Uncut
A savvy and sweetly skewed set. Print edition only
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6.0
76801
6.0 |
The 405
There's enough here to suggest this should prove nothing more than a blip in the long run
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5.6
76106
5.6 |
Pitchfork
Why do Crocodiles end up sounding like the world’s safest dangerous band?
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5.5
76769
5.5 |
Under The Radar
Rarely veering too far outside their comfort zone on those albums of syrupy, staticy, three-minute guitar driven slashes
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5.2
80643
5.2 |
Earbuddy
The energy is there, and maybe if the Crocodiles clean up a little bit, the songs will be too
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5.0
78242
5.0 |
Spectrum Culture
Nothing on the album is so daring as to establish Crocodiles as a talent that can stand out in the oversaturated field of retro noise acts but nothing is so bad as to make the band worth ignoring altogether
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5.0
76001
5.0 |
Drowned In Sound
Psychedelia is supposed to be mind-bending, not just some minor flavouring to add to your very average indie-pop songs
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5.0
76006
5.0 |
Consequence Of Sound
Following through on an album narrative isn’t necessarily important, but when that narrative is the main thing that makes an album interesting, it’d be best if it were more visible
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