-
8.0
77716
8.0 |
DIY
A brilliantly fun pop record
Read Review
-
8.0
77721
8.0 |
Evening Standard
It’s a cohesive collection that moves confidently from the folkish pop of For You and My Life to more electronic textures on Our Eyes and Cover Up
Read Review
-
7.5
77834
7.5 |
The Line Of Best Fit
It’s ten out of ten for effort and ambition, seven and a half for final product
Read Review
-
7.0
77723
7.0 |
Uncut
In places she sounds surprisingly like Andrea Corr, but she;s a winningly melodic songwriter. Print edition only
-
7.0
77717
7.0 |
God Is In The TV
Rose has ideas in spades, and more importantly, a really good set of very listenable and charming songs
Read Review
-
6.0
77724
6.0 |
Q
While beautifully enunciated melancholy is her default setting, this record could do with more sharp edges. Print edition only
-
6.0
77722
6.0 |
NME
It’s hard to escape the conclusion that Rose remains a voice in search of, well, a voice
Read Review
-
6.0
78069
6.0 |
Gig Soup
Work It Out shows that Rose has improved as a songwriter and her voice hasn’t lost any of its power or beauty, when she deviates away from an acoustic ballad the message gets slightly lost
Read Review
-
6.0
77720
6.0 |
The Irish Times
It’s a little scattered, but Parton is a pop writer with plenty of exciting ideas
Read Review
-
4.0
77718
4.0 |
The Observer
All the elements of solid indie pop are here, but too often it amounts to a familiar and underwhelming sound
Read Review
-
4.0
77719
4.0 |
The Guardian
This album is the blandest of aural wallpaper. Doubtless it will be huge
Read Review
-