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8.0
86965
8.0 |
DIY
Where Oscar pinpoints his now-trademark push-pull - relentless melodic optimism struggling against self-deprecating and frustration – he’s unstoppable
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8.0
87026
8.0 |
NME
It’s so sweet you might crash when it’s over
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8.0
87168
8.0 |
Gig Soup
A strong debut from indie’s new boy next door
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7.5
86968
7.5 |
The Line Of Best Fit
A fine collection of Oscar’s old lemons made into lemonade – it’s refreshing pop music, but with a floppy fringe and a tote bag
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7.0
86969
7.0 |
All Music
A charming, unpretentious confection of an album, as well as a promising debut
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7.0
87009
7.0 |
Clash
In the world of #indieamnesty and the first virgin pangs of nostalgia in us ‘millennials’, Oscar’s existence makes a lot of sense
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6.5
86994
6.5 |
Pitchfork
Cut and Paste is hooky and appealing; with a gear change, he could easily move into a realm where people are actually paying attention
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6.0
86966
6.0 |
The Guardian
Cut and Paste’s melodies are glorious – single Daffodil Days is surging and swoonsome – but with lyrics so surface, you sometimes wish he’d get out a bit more
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5.0
86967
5.0 |
God Is In The TV
For the most part, the music on display shows that Scheller has a talent for piecing together a classic three-minute pop song. It’s unfortunate that his lyrics are so superficial you’re left feeling unsatisfied
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