23 June 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Debut release of alt-folk with bluegrass overtones from the London band
6.1
Soul-stirring and for much of the time uplifting, the bangs of their banjo and euphoric bluegrass beats make this lot’s trade seem untouchable Read Review
Print edition only
Mumford’s platitudes would normally grate on me, but they’re surprisingly easy to forgive when they’re being howled over the Sons’ locomotive folk-rock Read Review
‘Sigh No More’ is a fine debut from a band that’s patiently picked up the tools of its trade, and chosen the right moment to give them full rein Read Review
Mumford's desperation, elevated in TNT dynamics, can be thrilling Read Review
Even when the songs - as they invariably do - cut loose into the hoedown section, with bluegrass banjo underpinning acoustic guitars, strings and horns, there's the sense they are holding back. Read Review
What's missing here, apart from an antidotal dose of Dawkinism, is a modicum of self-restraint. Sigh No More is so earnest it weeps holy water, from theatrical drum rolls to jiggedy banjo riffs to trumpeting fanfares that are too bloody obvious to swallow. Read Review
...the disc’s melting pot of genres makes Sigh No More an album that’ll warrant multiple listens Read Review
Marcus Mumford thinks that if he sings about ""heart"", ""purity"" and ""passion"" enough, some of these may rub off. They don't Read Review
For music that ostensibly prizes the appearance of honesty and confession, Sigh No More sounds surprisingly anonymous, giving a sense of the band as engaged music listeners but not as real people Read Review
Mumford & Sons: Sigh No More
Kurt Vile Philadelphia's been good to me
The record amounts to a deeply heartfelt and breezily disarming declaration of loved-up constancy, capped beautifully by the twinkling drift of closer Avalanches Of Snow Record Collector
Olivia Rodrigo You Seem Pretty Sad for a Girl So in Love
Olivia Rodrigo’s latest finds the young singer expanding her music to incorporate more cohesive storytelling, and in doing so, is marking herself as someone taking the artistic side of her job seriously Spectrum Culture
Pond Terrestrials
The Australian psych-rock band’s latest features dense, detailed songwriting about corporate greed and the environment, but the music lacks its nuance and ambition Pitchfork
Australia’s psych-rock jesters fend off ecological doom with cosmic fury Slant Magazine
They boil everything down to its very essence DIY
It's teeming with complexity, feeding references to places, events and literary signposts into songs that wrestle with the violent contradictions of being human. Print edition only Uncut
Graham Coxon Castle Park
There’s nothing here to suggest they went unreleased for quality-control reasons. Print edition only Uncut
Strikes a perfect note of callow romance, all Merseybeat lunchbreak gossip on the spiky Alright and Billy Says, tipping into Zombies intrigue on When You Find Out. Yet there’s a depth of melancholy to the vibraphone haunting of Isn’t It Funny or Dripping Soul’s flamboyant Love flamenco that sees Coxon straying from the main paths and into the dark corners. Print edition only Mojo
Swim Deep Hum
A delightful and timely reset pressed DIY
While other artists they came up with have called it quits, the British indie band have kept moving forward. Their fifth album rewards that resilience with some of their most beautiful work yet NME
'Hum' sees a refreshed band settling into themselves and discovering that's where the good stuff was hiding all along Dork
Blur guitarist's 'lost' ninth solo album mixes a strong '60s aesthetic with some interesting stylistic tangents musicOMH
Aside from a few unmemorable ballads —the sparse, piano-led “Less” is an exception late on the album — Rodrigo deftly navigates the difficult task of regaining her sense of wholeness when not everything in her life has to make the most sense No Ripcord
The Rolling Stones Foreign Tongues
More guitar-centric and holistically Stones-y than their last outing, the latest from the World’s Greatest Rock & Roll Band is built to satisfy Rolling Stone
Lizzo Bitch
This is just one for the completists (which in an age of streaming may not be many) God Is In The TV
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways