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8.0
90574
8.0 |
Evening Standard
Mike D has added a more subtle groove
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8.0
90575
8.0 |
NME
Sounds like it’s held together with snot and sawdust, lending the record a sense of spontaneity that runs through all 16 tracks
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8.0
90576
8.0 |
The Music
They've honed in on the aggression of unheard facts as delivered by blunt instruments
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8.0
90577
8.0 |
The Line Of Best Fit
The album's bravest curveball comes from the hazy, synth driven melody of “Steer Clear” which features kitchen sink laureate Baxter Drury
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8.0
90658
8.0 |
Q
Modern life is rubbish, but the tunes are great. Print edition only
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7.0
90667
7.0 |
Drowned In Sound
The album is bookended by tracks that could be on that first album with a creamy, scummy centre of songs that show there’s more to them than meets the ear. It might even change your mind about them
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7.0
90751
7.0 |
All Music
A necessary rallying cry for a generation all too often described as apathetic
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7.0
90836
7.0 |
Clash
Despite it’s flaws, Slaves’ die-hard fans will lap it up - and besides, the pair's electric live shows have always been their true calling
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6.3
90805
6.3 |
Gig Soup
Ultimately, when Slaves asked ‘Are You Satisfied?’ in 2014 the answer should probably have been… “You know what? Yeah”
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6.0
91576
6.0 |
PopMatters
Slaves show glimpses of astuteness but these are often mitigated by hackneyed lyrics. This should be the revolutionary punk album that music and the wider world desperately needs right now. Sadly, it falls tantalizingly short
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5.0
90578
5.0 |
musicOMH
Unfortunately, the changes in pace are few and far between
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4.0
90573
4.0 |
The Guardian
Tunbridge Wells' ironic punks lose their appeal
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