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8.0
92559
8.0 |
Drowned In Sound
Iris is that very rare thing: a soundtrack that can make a superb stand-alone listen
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8.0
92561
8.0 |
Mojo
Uses a covert approach to win you over. Print edition only
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8.0
92562
8.0 |
Uncut
Thanks to a 40-piece orchestra, Iris puts more emphasis on modular synths. Print edition only
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8.0
92994
8.0 |
Mixmag
Dustin O’Halloran and Adam Wiltzie have a mysterious and expansive sound that’s perfect for movie scores
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7.0
92602
7.0 |
Spectrum Culture
Both a continuation and a departure for AWVFTS
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7.0
92560
7.0 |
All Music
The duo’s effective use of reverbs and filters works wonders here, transporting the listener through an array of the same kinds of sounds, but they're treated whole-heartedly and differently with each moment
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6.0
92557
6.0 |
The Skinny
A Winged Victory for the Sullen still feel as if they’re in a lane of their own – it’s just that perhaps they’re at their best when they’re the only people in it
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6.0
92837
6.0 |
Tiny Mix Tapes
The lush orchestration remains, but it’s accompanied in places by anxious synthesizer pulses, and everything is geared toward the creation of a permanent sense of dread
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5.9
92558
5.9 |
Pitchfork
The writing sessions happened before filming began, mostly on modular synthesizer, and the score still bears a slight rigidity based on the way it was first crafted
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5.0
92649
5.0 |
The Quietus
It was designed as a sonic bed, a function at which it may well massively excel. It’s just a disappointment to see A Winged Victory For The Sullen churn out something quite so drab
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